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How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors – including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole – this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
The Bloomsbury Handbook to Philip Roth provides a comprehensive, must-have survey of interdisciplinary scholarship on one of the major American novelists of the 20th and 21st centuries. The Bloomsbury Handbook to Philip Roth presents state-of-the-art scholarship on new research methods, current debates, and future directions in Philip Roth studies. It illuminates how Roth, one of the most influential American writers of the 20th and 21st centuries, not only reflected American history and culture in his important novels but uncannily anticipated our American future. Divided into six main sections, this Handbook considers such topics: - The full range of Roth's writing, from his novels and short stories to essays and life writing - Major interdisciplinary scholarly perspectives across literary studies, politics, gender studies, critical race theory, and ecocriticism - Roth's literary legacy across contemporary fiction, Jewish literature, the arts, and culture studies - Key contexts including American political movements since the 1950s, the American Jewish experience, and intertextual relationships Uniting scholars and artists who have built the field of Philip Roth studies from the ground up along with emergent scholars from around the world, this Handbook includes chapter summaries, study questions, and an author biography and timeline that includes key dates in Roth's life and publication history. It also contains a bibliography of secondary sources for further reading as well as an overview of film and television adaptations.
Benjamin Markovits is a leading Anglo-American novelist with a varied and ambitious body of work, ranging from a trilogy of historical fictions on the life of Lord Byron (Imposture, 2007; A Quiet Adjustment, 2008; Childish Loves, 2011) to an award-winning portrayal of a gentrification project in Obama-era Detroit (You Don’t Have to Live Like This, 2015) to intimate studies of contemporary family life (A Weekend in New York, 2018; Christmas in Austin, 2019). Prolific and unpredictable, Markovits is one of the most interesting realist writers working today. Featuring contributions from emerging and established scholars, this collection provides fresh perspectives on Markovits’s place in the contemporary literary field, as well as offering a detailed survey of his work to date. The collection begins with Markovits’s early ‘campus novel’, The Syme Papers (2004), before exploring his celebrated ‘Byron Trilogy’, and the 2005 story cycle, Either Side of Winter. Contributors consider Markovits’s best-known book, You Don’t Have to Live Like This, which won the James Tait Memorial Prize, as well as his more recent fictions focusing on the trials and tribulations of the Essinger family. Taken together, this authoritative collection brings to light the many preoccupations of Markovits’s singular oeuvre—from Byron to basketball, from race relations to real estate. It also includes a frank and wide-ranging interview with the author. The collection will be a first port of call for students and scholars in search of a comprehensive introduction to the work of one of our most exciting contemporary novelists.
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources
Frank Bascombe has a younger girlfriend and a job as a sportswriter. To many men of his age, thirty-eight, this would be a cause for optimism, yet Frank feels the pull of his inner despair and especially of his recent losses - his preferred career has ended, his wife has divorced him, and a tragic accident took his elder son. In the course of this Easter weekend, Frank will lose all the remnants of his familiar life, though he will emerge heroic with spirits soaring. This is a magnificent novel that propelled Richard Ford into the first rank of American writers.
A friend should be able to be an attentive listener, which made semiotician Roland Barthes wonder in his intriguing dictionary of love, "cannot friendship be defined as a space with total sonority?". This volume takes on the encyclopedic task - in the sense of Umberto Eco, where an encyclopedia is a very complex sign - to explore friendship in detail, not only as a form of love but in all its complexity as a bond that connects people and forms communities. Semiotics, the study of signs and meaning-making, is used alongside insights from a wide range of friendship studies to create a far-reaching intellectual resonance, or sonority, around friendship as a central human experience. As a study of the significance of friendship, it presents findings from friendship research across the globe, enabling new ways of thinking about friends. It includes: key concepts from semiotics, sociology, anthropology, and other fields, briefly explained major models of friendship from antiquity to contemporary societies proverbs and sayings about friendship from Africa, America, Asia, and Europe stories about famous or forgotten friends from mythology, fiction, and real history summaries of research on friendship from selected academic disciplines bibliographical references for further studies
Richard Ford and the Fiction of Masculinities demonstrates how contemporary U.S. novelist Richard Ford, winner of the Pulitzer Prize for literature, rewrites gender, and in particular masculinity, from highly subversive and innovative perspectives. Josep M. Armengol analyzes the construction, as well as the de-construction, of masculinity in all of Ford's major fictional texts to date, ranging from A Piece of My Heart to The Sportswriter to The Lay of the Land. Given its simultaneous critique of traditional masculinity and its depiction of alternative models of being a man, Ford's fiction is shown to be particularly interesting from a men's studies perspective, which aims not only to undermine patriarchal masculinity but also to look for new, non-hierarchical, and more egalitarian models of being a man in contemporary U.S. culture and literature. By framing Ford's contemporary representations of masculinity within a more general context of American literature, this book reveals how his texts continue along a trajectory of earlier American fiction while they also re-examine masculinity in new, more complex ways. Richard Ford and the Fiction of Masculinities contributes to the much-needed revision of men and masculinities in U. S. literature, and especially Richard Ford's fiction, where constructions of gender and masculinity remain, paradoxically enough, largely unexplored.
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.