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United States, Great Britain, and Egypt, 1945-1956: Strategy and Diplomacy in the Early Cold War
Integrating archival and documentary materials with an analysis of the sources of political support for work-welfare programmes, this work examines the reasons behind the lack of effective training and work programmes for the unemployed in Great Britain and the United States.
Originally published in 1930, this book presents a comprehensive biography of the renowned British statesman Charles Talbot, 1st Duke of Shrewsbury (1660-1718). The text incorporates detailed information on the key events in Talbot's life and his role in a number of important historical incidents. Illustrative figures, a bibliography and detailed notes are also included. This book will be of value to anyone with an interest in the life of Talbot and British history.
Thomas Reid might not have published much on politics, but his manuscripts reveal that he was deeply concerned with social, political and economic issues throughout his career. Published here for the first time, Reid's Glasgow lecture notes and his papers to learned societies in Aberdeen and Glasgow show that he was an acute commentator on contemporary politics and that his theoretical ideas framed solutions to some of the practical political and economic problems of his day.
In the first full-length study of the English dancer-actress Hester Santlow, Moira Goff focuses on her unusual career at Drury Lane between 1706 and 1733. Goff charts Santlow's repertoire and makes extensive use of archival resources to investigate both her dancing and acting skills. Santlow made a unique contribution to the development of dance on the London stage, through her dancing roles in dance dramas by John Weaver and pantomimes by John Thurmond and Roger, as well as the virtuoso dances created for her by Mr. Isaac and Anthony L'Abbé. Goff examines Santlow's fascinating personal life, including her relationships with the politician James Craggs the Younger and the Drury Lane actor-manager Barton Booth. Santlow was unusual in making the transition from successful dancer-actress to independent and respectable widow. Goff also traces her life after retirement as her daughter's family rose from the gentry towards the aristocracy. This book will be of interest to dance and theatre historians, to women's studies scholars, and to all who are engaged with ongoing debates on the lives and careers of women on the seventeenth- and eighteenth-century stage.