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Originally published in 1976, this book was the first comprehensive analysis in English of the post-independence developments in the West African Republic of Guinea. It is a scholarly analysis of the different aspects of life in the country: political, economic and social. Among other things, the significance and consequences of the 1958 historic vote for independence are carefully examined: the role of President Touré, the country’s first and only Head of State, is assessed; the role of one of Africa’s earliest single mass parties, the Democratic Party of Guinea is also discussed, and the abortive invasion of November 1970 is situated in its correct historical perspective. This carefully researched book was based on observation and interviews, and on published and unpublished government and party documents, most of which were only available inside Guinea.
How youth-centered ambitions destroyed the ideals of nationhood in Guinea
For most of its history, the African continent has witnessed momentous political change, remarkable philosophical innovation, and the complex cross-fertilization of ideologies and belief systems. This definitive study surveys the concepts, values, and historical upheavals that have shaped African political systems from the ancient period to the postcolonial era and beyond. Beginning with the emergence of indigenous political institutions, it traces the most important developments in African history, including the Africanization of Islam, liberal democratic movements, socialism, Pan-Africanism, and Africanist-Populist resistance to the neoliberal world order. The result is an invaluable resource on a region too often ignored in the history of political thought.
"... A historical ethnography of the socialist period in Guinea"--Page 5.
Provides basic yet comprehensive facts about the social, economic, political and millitary institutions of the country.
Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be. Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.
The book is a study of identity transformation and negotiation of identity as applied to Ahmed Sékou Touré and subordinates in colonial and post-colonial Guinea.
This book provides an excellent orientation to, and a logical development of, the major trends and issues that have dominated discussions in African philosophy since the publication of Placide Tempels' Bantu Philosophy in 1945. Views of some of the best-known African philosophers, such as Kwasi Wiredu, Paulin Hountondji, H. Odera Oruka, Peter Bodunrin, and D. A. Masolo are discussed in detail. The text takes into account, in the form of quotations or referencing, the views of several other philosophers who have had something to say about African philosophy. This book facilitates an excellent orientation on African philosophy at the undergraduate level. Those pursuing African philosophy at the graduate level will find the text refreshingly novel.