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67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.
"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--
Reproduction of the original: Pan Tadeusz by Adam Mickiewicz
Being Polish is no joke. For ten million people of Polish ancestry in the United States, as well as many who have settled in the UK since the fall of communism, it is a heartfelt matter -- and amid all the travel guides and guides to Polish language, folklore, and customs, there is no single, comprehensive, reader-friendly and yet ever-informative reference on what it means to be Polish. Enter The Essential Guide to Being Polish -- the go-to concise resource for anyone looking to reconnect with their culture or, indeed, hoping that their friends, children, or colleagues learn something about their heritage. Divided into three sections to make for an easy-to-follow format -- Poland in Context, Poles in Poland, and Poles Abroad -- this guide covers just about everything and does so in a style that is at once entertaining and informative: the country's history and geography, wars, Jews in Poland, the communist past, the post-communist past and present, language, kings and queens, religion/Catholicism (with special focus on Pope John Paul II), holidays, food, and drink. What is a real Polish wedding all about? That, too, is addressed succinctly and with flair in this guide. Other chapters cover literature, music, art, famous scientists, Polish men and Polish women, Poles in America, Poles in the UK, Poles and the EU, and last but not least, Polish pride. From the Trade Paperback edition.
A century-long struggle to make a borderland population into loyal Germans or Poles drove nationalist activists to radical measures.
Zimmerman examines the attitude and behavior of the Polish Underground towards the Jews during the Holocaust.
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.
A major study of ethnic-oriented and multicultural problems, specifically of the history of the Polish National Alliance of the United States of America.
The lands Germany ceded to Poland after World War I included more than one million ethnic Germans for whom the change meant a sharp reversal of roles. The Polish government now confronted a German minority in a region where power relationships had been the other way around for more than a century. Orphans of Versailles examines the complex psychological and political situation of Germans consigned to Poland, their treatment by the Polish government and society, their diverse strategies for survival, their place in international relations, and the impact of National Socialism. Not a one-sided study of victimization, this book treats the contributions of both the Polish state and the German minority to the conflict that culminated in their mutual destruction. Based largely on research in European archives, it sheds new light on a key aspect of German-Polish relations, one that was long overshadowed by concern over the German revanchist threat and the hostility that subsequently dominated the German-Polish relationship. Thanks to the new political situation in central Europe, however, this topic can finally be addressed evenhandedly.
The Lands of Partitioned Poland, 1795-1918 comprehensively covers an important, complex, and controversial period in the history of Poland and East Central Europe, beginning in 1795 when the remnanst of the Polish Commonwealth were distributed among Prussia, Austria, and Russia, and culminating in 1918 with the re-establishment of an independent Polish state. Until this thorough and authoritative study, literature on the subject in English has been limited to a few chapters in multiauthored works. Chronologically, Wandycz traces the histories of the lands under Prussian, Austrian, and Russian rule, pointing out their divergent evolution as well as the threads that bound them together. The result is a balanced, comprehensive picture of the social, political, economic, and cultural developments of all nationalities inhabiting the land of the old commonwealth, rather than a limited history of one state (Poland) and one people (the Poles).