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A collection of poems centered around life in Appalachia addresses topics ranging from the marginalization of the region's people to the environmental degradation it has endured throughout history.
Photographer Nancy Horton has captured the beauty and the funky, gritty liveliness of today's Portsmouth, NH, in this latest addition to our ?New England Landmarks? series. It's all here, from the salt piles by along the river (highlighted by a glorious setting sun) to the Portsmouth Naval Shipyard (which, despite its name and association with the city, is actually in Maine). Daily life circulates around historic Market Square; costumed reenactors delight at Strawbery Banke; an impressive array of Georgian homes stand tall on residential streets; Horton even offers a wonderful photo of Portsmouth's own beloved poet Robert Dunn alongside one of his poems. Laura Pope provides a short history of the city to accompany Horton's images.
Poetry. African & African American Studies. Latinx Studies. Women's Studies. Diannely Antigua's debut collection, UGLY MUSIC, is a cacophonous symphony of reality, dream, trauma, and obsession. It reaches into the corners of love and loss where survival and surrender are blurred. The poems span a traumatic early childhood, a religious adolescence, and, later, a womanhood that grapples with learning how to create an identity informed by, yet in spite of, those challenges. What follows is an exquisitely vulgar voice, unafraid to draw attention to the distasteful, to speak a truth created by a collage of song and confession, diary and praise. It is an account of observation and dissociation, the danger of simultaneously being inside and outside the experiences that mold a life. UGLY MUSIC emerges as a story of witness, a realization that even the strangest things exist on earth and deserve to live. "Diannely Antigua's UGLY MUSIC is a beautiful disturbance of erotic energy. This debut counters the pull of thanatos with the effervescent allure of pure imagination, and everything is dangerously alive. Antigua's seduction is both intellectual and physical, a force strong enough to counter the emotional pains recounted here--an abandoning father, trespassed bodies, pregnancies lost, wanted, feared. At times, the speaker of these poems trespasses on her own body, as if to say a body is both precious and to be ruined, used, used up. At its deepest song, this is a theological protest and investigation by a speaker wrestling with faith and fathers, with unapologetic desire. These poems have found a way to circumvent the most precarious silences, to boast and to rue." --Catherine Barnett
Few people think of a rich Black heritage when they think of New England. In the pioneering book Black Portsmouth, Mark J. Sammons and Valerie Cunningham celebrate it, guiding the reader through more than three centuries of New England and Portsmouth social, political, economic, and cultural history as well as scores of personal and site-specific stories. Here, we meet such Africans as the "likely negro boys and girls from Gambia," who debarked at Portsmouth from a slave ship in 1758, and Prince Whipple, who fought in the American Revolution. We learn about their descendants, including the performer Richard Potter and John Tate of the People’s Baptist Church, who overcame the tragedies and challenges of their ancestors’ enslavement and subsequent marginalization to build communities and families, found institutions, and contribute to their city, region, state, and nation in many capacities. Individual entries speak to broader issues—the anti-slavery movement, American religion, and foodways, for example. We also learn about the extant historical sites important to Black Portsmouth—including the surprise revelation of an African burial ground in October 2003—as well as the extraordinary efforts being made to preserve remnants of the city’s early Black heritage.
Zones of Avoidance grew out of a sequence of poems inspired by the writer's personal and professional involvement with people in recovery from addictions. -- Welsh Books Council
In his ballads John Perrault reveals an acuity about human nature and the reconciling wisdom that opens it up to others with jolts of crusty lascivious humor that only a true-bred Eastener can bring off. And with the enclosed CD you learn Perrault sings as bad as Dylan. --Larry Woiwode.
In this narrative poem, Kirby the sneaky, dog-genius steals the hole Arlo dug in the yard and the social order begins to break down. Kirby faces grave, injurious peril in restoring cosmic harmony. In rhyming couplets he reflects on the hole's eerie influence, he contemplates spider webs, Newton, The Old West, Scottish history, Templars, the Roundta
Widows convey their feelings and survival strategies in this compelling anthology The Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other." The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.
Novel set on a small island off the coast of Rhode Island, following the lives of several inhabitants.