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Brilliantly applying insights and methodologies from anthropology, literary theory, and the social sciences to the historical study of archaic lyric, Poetry and Its Public in Ancient Greece, winner of Italy's prestigious Viareggio Prize, develops a new Picture of the literary history of Greece. An essentially practical art, ancient Greek poetry was clocely linked to the realities of social and political life and to the actual behavior of individuals within a community. Its mythological content was didactic and pedagogical. But Greek poetry differs radically from modern forms in its mode of communication: it was designed not for reading but for performance, with musical accompaniment, before an audience. In analyzing the formal and social aspects of this performance context, Gentili illuminates such topics as oral composition and improvisation, oral transmission and memory, the connections betweek poetry and music, the changing socioeconomic situation of the artist, and the relations among poets, patrons, and the public.
Although Greek society was largely male-dominated, it gave rise to a strong tradition of female authorship. Women poets of ancient Greece and Rome have long fascinated readers, even though much of their poetry survives only in fragmentary form. This pathbreaking volume is the first collection of essays to examine virtually all surviving poetry by Greek and Roman women. It elevates the status of the poems by demonstrating their depth and artistry. Edited and with an introduction by Ellen Greene, the volume covers a broad time span, beginning with Sappho (ca. 630 b.c.e.) in archaic Greece and extending to Sulpicia (first century B.C.E.) in Augustan Rome. In their analyses, the contributors situate the female poets in an established male tradition, but they also reveal their distinctly “feminine” perspectives. Despite relying on literary convention, the female poets often defy cultural norms, speaking in their own voices and transcending their positions as objects of derision in male-authored texts. In their innovative reworkings of established forms, women poets of ancient Greece and Rome are not mere imitators but creators of a distinct and original body of work.
Explores the phenomenon of wandering poets, setting them within the wider context of ancient networks of exchange, patronage and affiliation.
A beautiful Pocket Poet selection of short poems, odes, and epigrams from ancient Greece, translated into English by a wide array of distinguished translators and poets Poems from Greek Antiquity presents a gloriously compact treasury of the enduring and influential poems of the ancient Greeks. Greek literature abounds in masterpieces, the most famous of which are lengthy epics, but it is also rich in poems of much smaller compass than The Iliad or The Odyssey. The short poems, odes, and epigrams included in this volume span a vast period of more than a thousand years. Included here are selections from the early lyric and elegiac poets, the Alexandrian poets, Alcaeus, Sappho, Pindar, and many more. Here, too, are poems drawn from the celebrated Greek Anthology, and from the Anacreontea, the collection of odes on the pleasures of drink, love, and beauty that have been popular for centuries both in the original Greek and in English. Excerpts from somewhat longer poems include Percy Bysshe Shelley’s “Homeric Hymn to Mercury” and the hugely entertaining Homeric pastiche “The Battle of the Frogs and Mice.” The English translations in this volume are works of art in their own right and come from a wide range of remarkable poets and translators, ranging from George Chapman in the seventeenth century to Robert Fagles in the twentieth.
A dazzling literary exploration by acclaimed poet and critic Michael Schmidt, The First Poets brings to life for the general reader the great Greek poets who gave our poetic tradition its first bearings and whose works have had an enduring influence on our literature and our imagination. Starting with the legendary and possibly mythical Orpheus and with Homer, Schmidt conjures a host of our literary forebears. From Hipponax, “the dirty old man of poetry,” to Theocritus, the father of pastoral; from Sappho, who threw herself from a cliff for love, to Hesiod, who claimed a visit from the Muses–the stories in The First Poets masterfully merge fact and conjecture into animated and compelling portraits of these ancestors of our culture.
The ancient Greek hymnic tradition translated beautifully and accessibly. The hymn—as poetry, as craft, as a tool for worship and philosophy—was a vital art form throughout antiquity. Although the Homeric Hymns have long been popular, other equally important collections have not been readily accessible to students eager to learn about ancient poetry. In reading hymns, we also gain valuable insight into life in the classical world. In this collection, early Homeric Hymns of uncertain authorship appear along with the carefully wrought hymns of the great Hellenistic poet and courtier Callimachus; the mystical writings attributed to the legendary poet Orpheus, written as Christianity was taking over the ancient world; and finally, the hymns of Proclus, the last great pagan philosopher of antiquity, from the fifth century AD, whose intellectual influence throughout western culture has been profound. Greek Poems to the Gods distills over a thousand years of the ancient Greek hymnic tradition into a single volume. Acclaimed translator Barry B. Powell brings these fabulous texts to life in English, hewing closely to the poetic beauty of the original Greek. His superb introductions and notes give readers essential context, making the hymns as accessible to a beginner approaching them for the first time as to an advanced student continuing to explore their secrets. Brilliant illustrations from ancient art enliven and enrichen the experience of reading these poems.
Edited and Translated from the Greek by Edmund Keeley. A new translation of poetic masterpieces spanning Greece's Archaic and Golden Age to Byzantium. In these beautiful renderings Edmund Keeley displays his sensitivity as a translator and his imagination as a poet. The verses spring to life for a new generation of readers who will delight in the inventiveness, wit, and honesty of essential ancient Greek voices such as Plato, Leonidas, Callimachus, Meleager, Honestus, Strato, and Palladas. One of the foremost translators of the 20th century, Edmund Keeley has received international acclaim for his translations of the Greek poets C.P. Cavafy, George Seferis, Yannis Ritsos, and Odysseas Elytis. "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "In Keeley's lucid translations, we find just what we need: grace, humor, beauty, good advice, and succor; all that poetry has been bringing us through the darkness for these thousands of years. This expertly selected collection will remind you to 'treat yourself entirely to what good things there are.'"--Eleni Sikelianos "A new English translation of ancient masterworks, Nakedness is My End (World Poetry Books) contains poetry from Plato, Strato, Palladas, and others in a way that is accessible and meaningful for the modern reader." -- Princeton Alumni Weekly Poetry.
Mary R. Lefkowitz has extensively revised and rewritten her classic study to introduce a new generation of students to the lives of the Greek poets. Thoroughly updated with references to the most recent scholarship, this second edition includes new material and fresh analysis of the ancient biographies of Greece's most famous poets. With little or no independent historical information to draw on, ancient writers searched for biographical data in the poets' own works and in comic poetry about them. Lefkowitz describes how biographical mythology was created and offers a sympathetic account of how individual biographers reconstructed the poets' lives. She argues that the life stories of Greek poets, even though primarily fictional, still merit close consideration, as they provide modern readers with insight into ancient notions about the creative process and the purpose of poetic composition.
Invaluable guide to ancient Greek literature and literary theory through the representation of poetry and the figure of the poet.
Anthology. The Greek origins of the word gesture at a bouquet, a garland; “a flower-logic, a petal-theory, a blossom-word.” In Stone-Garland, Dan Beachy-Quick brings the term back to its roots, linking together the lives and words of six singular ancient Greeks. Simonides: honest servant to patrons. Anacreon: lustful singer, living on in the work of his acolytes. Archilochus: cruel critic, beloved of the Muses. Alcman: who took birds as his teachers. Theognis: chronicler of human excellence and vice. Callimachus: cosmopolitan head librarian at Alexandria. These are the poets who appear in these pages, sometimes in fragments, sometimes in sustained glimpses. Drawing inspiration from the Greek Anthology, first drafted in the first century BC, Beachy-Quick presents translations filled with lovers and children, gods and insects, earth and water, ideas and ideals. Throughout, the line between the ancient and the contemporary blurs, and “the logic of how life should be lived decays wondrously into the more difficult possibilities of what life is.” Spare, earthy, lovely, Stone-Garland offers readers of the Seedbank series its lyric blossoms and subtle weave, a walk through a cemetery that is also a garden.