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"This book narrates exchanges between English- and Spanish-language poets in the American hemisphere from the late 1930s through the rise of the 1960s. It doing so, it contributes to a crucial current of humanistic inquiry: the effort to write a cosmopolitan literary history adequate to the age of globalization. Building on correspondence and manuscripts from collections in Europe and the Americas, the book first traces the material contours of an evolving literary network that exceeds the conventional model of "the two Americas." These relations depend on changing contexts: an era of state-sponsored transnationalism, from the wartime intensification of Good Neighbor diplomacy, to the Cold War cultural policy programs of the Alliance for Progress in the 1960s; a prosperous market for translations of Latin American poetry in the US; and a growing alternative print sphere of bilingual vanguard journals such as El Corno Emplumado (Mexico City, 1962-1969). As the book articulates these histories of exchange, it also theorizes how poets employ the resources of language to transform popular images of the hemisphere from a locus of political conflict into a venue of supranational cultural citizenship. Feinsod describes how inter-Americanism was enacted through diplomatic structures of literary address, multilingual writing, and appeals to a shared indigenous heritage through the genre of the meditation on ruins. By tracing the coevolution of midcentury poetry with the geopolitics of the hemisphere, the book expands existing literary histories of the period through revelatory comparative readings supported by archival findings"--
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
A collection of poems evocative of seven geographical regions of the United States, including the Northeast, Southeast, Great Lakes, Plains, Mountain, Southwest, and Pacific Coast States.
A multilingual collection of Indigenous American poetry, joining voices old and new in songs of witness and reclamation. Unprecedented in scope, Sing gathers more than eighty poets from across the Americas, covering territory that stretches from Alaska to Chile, and features familiar names like Sherwin Bitsui, Louise Erdrich, Joy Harjo, Lee Maracle, and Simon Ortiz alongside international poets--both emerging and acclaimed--from regions underrepresented in anthologies.
Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. The poetry collected in this volume reveals the range and power of the contemporary American imagination. The verve, freedom, and boldness of American English are combined with the new harmonies of modern cadence. Here are distillations of twentieth-century perception, feeling, and thought, and reflections of changing social realities, scientific and psychoanalytic insights, and the strong voices of feminism and black consciousness. This is a book for those who value fresh and original poetry and for readers worldwide who are curious about contemporary American experience. Helen Vendler relies on her own taste and judgment in singling out excellent poems, beginning with the late modernist flowering of Wallace Stevens and continuing to the present. Her wide-ranging Introduction places recent American poetry in its aesthetic and social contexts. The anthology provides an extensive offering of the work of major poets and introduces many writers who are only now beginning to make their reputation. Thirty-five poets are included, with a representative selection from the earlier to later work of each and a significant number of long poems. Brief biographies of the poets are appended.
A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures.
Anthology of poems by 20th century American poets.