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T'ao Ch'ien, (365 - 427, C.E.), one of the most revered poets in classical Chinese literature, is presented in a lucid translation with an introduction. "David Hinton is one of the most impressive of the younger translators of classical Chinese poetry.... His renderings are varied and imaginative while remaining faithful to the spirit of the original."--Burton Watson
This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems.
Poetry. This anthology gathers together over 1500 years of Chinese Zen (Ch'an) poetry from the earliest writing, including the Hsin Hsin Ming written by the 3rd Patriarch, to the poetry of monks in this century. Poets include Wang Wei, Li Po, Tu Fu, Yuan Mei, the crazy hermits Han-shan and Shih-te, as well as many anonymous monks and hermits.
A comprehensive anthology of Chinese poetry from the 12th century B.C. to the present. "This magnificent collection has the effect of a complete library rather than of an anthology of poetry.... A lyric quality comes through into our own language... Every page is alive with striking and wonderful things, immediately accessible." -- Publishers Weekly "Sunflower Splendor is the largest and, on the whole, best anthology of translated Chinese poems to have appeared in a Western language." -- The New York Times Book Review "This remarkably fine anthology should remain standard for a long time." -- Library Journal ..". excellent translations by divers hands. Open to any page and listen to the still, sad music... " -- Washington Post Bookworld
Li Po (AD 701-62) and Tu Fu (AD 712-70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - 'Li-Tu' - who covers the whole spectrum of human life, experience and feeling.
Albert Hoffstädt, a classicist by training and polylingual humanist by disposition, has for 25 years been the editor chiefly responsible for the development and acquisition of manuscripts in Asian Studies for Brill. During that time he has shepherded over 700 books into print and has distinguished himself as a figure of exceptional discernment and insight in academic publishing. He has also become a personal friend to many of his authors. A subset of these authors here offers to him in tribute and gratitude 22 essays on various topics in Asian Studies. These include studies on premodern Chinese, Indian, Japanese, and Korean literature, history, and religion, extending also into the modern and contemporary periods. They display the broad range of Mr. Hoffstädt's interests while presenting some of the most outstanding scholarship in Asian Studies today.
In our own time the "wilderness" has emerged as a source of spiritual renewal, both as idea and in actual practice. But Hsieh Ling-yün (385-433 C. E.) was there before us.