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Narrow Escapes: A Poetic Diary of the Coronavirus Pandemic is a poetic journey that is at once emotional and spiritual. In over 200 distinct poems, the reader follows the poet's musing from the pandemic's outbreak to the onset of the second wave. The poems are shaped by and reflect the persistent fear induced by the ubiquity of the virus and the accentuation of life's uncertainty as never experienced before. In diary form, the poet deploys specific images to present the virus as a leveler because its victims are not defined by class, race, ideology, nationality, or culture. The poems invite readers to go beyond our obsessions with self and materialism by embracing compassion, love, sacrifice, and sensitivity to others. Ranging from the personal, familial, and public to the political and economic, the poet reminds readers of the lurking presence of nonhuman beings and the ways in which they intertwine with human beings. The poems are themselves therapeutic, painting as it were on the canvass of a shaken world, broad strokes of poetic language that render a much better version of an imperfect world.
In this collection, Nigerian poet Tanure Ojaide adopts the persona of a homeboy griot returning from travels to be confronted by the devastation wrought by oil greed, politics, and technology upon his beloved Niger Delta; its environment, civilisation and people. It becomes a tragedy of corruption, suffering and dispossession in sharp contrast to the eco-sensitive animism of his youth. Angry, elegiac and lyrical, this collection allows the reader insight far beyond the reach of journalism or prose.
This work takes in two collections of poetry. The poems of Delta Blues protests against the environmental degradation of the Niger Delta, and the devastation unleashed upon local populations, victims, and caught up in the race for oil. The younger poet dedicates his work to Ken Saro Wiwa, and other civil-rights activists. He writes about the irony of their mortality, which was, their last resort and only threat; their death was the final protest. The poet contrasts the natural heritage of the river, a vital food and water source, with barrels of oil, which bring little benefit to the people of the river. He believes that remembering the past and the dead may be the only way of preventing history repeating itself. Ojaide has won the Commonwealth Writers' Prize for the Africa region and the Association of Nigerian Authors' Poetry Prize twice. He has performed and been translated around the world, and is regarded as a leading voice amongst the new (younger) generation.
This anthology presents the voices of a new generation of African poets, drawn from across the continent and representing a wide range of themes, styles and ideologies. These contemporary voices have been shaped in the realities of postcolonial Africa from the mid-1970s to the end of the 1990s.
The beauty I have seen -- Doors of the forest & other poems -- Flow & other poems.
The Nobel Laureate's reputation as a dramatist tends to cloud his poetic achievement, and in modern African literature, poetry lives in the shadow of fiction. The criticism of Soyinka's poetry has so far centred on his themes of individuality and death, his imagery, and on the controversy over his authenticity, obscurity and difficulty. Here, in a new approach, an academic himself and one of the leading younger generation of African poets, discusses critically the voice and viewpoint of the poet with the object of establishing Soyinka's persona. The book covers the personality and world view of the man, as revealed in his poetry.
In this book, Tanure Ojaide explains the uniqueness of modern African poetry, which he sees as a product of African orature and the Western literary tradition. The volume fittingly begins with "African Literature and Cultural Identity," which establishes areas of cultural identity of modern African literature in general. The next chapter strives to define modern African poetic aesthetics. The book then examines both the oral and the rhythmic aspects of modern African poetry. Having established the defining characteristics of modern African poetry, Ojaide takes on the history of the art form. "The Changing Voice of History: Contemporary African Poetry" and "New Trends in Modern African Poetry" contrast the newer poetry to that of the older generation while acknowledging the influence of the old on the new. The book then goes on to highlight African women's poetry and compare African-American poetry with modern African poetry. After the author -- himself a poet -- talks about his background and generation, the collection concludes with "Poetic Imagination in Black Africa." Ojaide brings the intuitive knowledge of a practitioner and scholar to his literary criticism of poetry, examining and interpreting modern African poems with lucidity, passion, and freshness. His knowledge of American and English literatures allows him to make apt comparisons and bring out the uniqueness of modern African poetry. Touching on the themes, techniques, and other areas, Poetic Imagination in Black Africa will help readers achieve a deeper understanding of the complex and diverse world of modern African poetry.
Exploring the idea of a ‘Global Africa’, this book examines how African literary and cultural productions have changed due to the social and political influences brought about by increased globalisation. A variety of European theoretical concepts are applied to Africa, demonstrating the universality of the African experience.