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The Poetry of Stone Forest includes photos of the author with: Historian Maria Rotworowski, USA Poet Laureate Donald Hall, Congressman Mauricio Mulder, Mayor of Cerro de Pasco Tito Valle, and Senior Member of the Journalist College, in Huancayo, Adelmo Huamani. Dennis creates here, a collection of remarkable and timeless poetry, original in all its refreshing forces (with notes, and commentary on 'Stone Forest' high up in the Andes in Cerro de Pasco; one of the mysteries of the world and a wonder of Peru); he adds in this collection, legends, about Stone Forest: packed with photos and art work; and an introductory poem called, "The Crow", about his illness. Now he sets the poems loose on the world, to discover 'Stone Forest'. He adds two Complimentary poems (by: Juan Parra del Riego, and Apolinario Mayta Inga) translated and edited by the author. During Dr. Siluk's stay in Cerro de Pasco, Peru (highest city in the world), he received by Mayor Tito Valle, a Gold Medal as an 'Illustrious Visitor', thus, deciding to create a book similar to his previous one for the Mantaro Valley, "The Road to Unishcoto", centered on Stone Forest, after finding a haunting inspiration to do so.
The poems within this volume, consist of a series called: The Galilean 87-poems out of 653 have been selected, from six chapbooks of which six thousand copies have been handed out freely to: churches, individuals and facilities seeking the wisdom of the scriptures concerning Jesus Christs love and salvation; three chapbooks were sent to Pope Francis whom gave a favorable response. This is the authors Magnus Opus in poetry. Deep into the books inner-core one will discover its mysteries: those seldom brought to light. (A two year project.) The Commentary for the poem Conclusion: Gods Existence is excellent. Sister Marleny Rojas (11-2013) Directora del Colegio Santa Mara Madre de Dios I like the poem, Gods Nature Marissa Cardenas, Journalist, Correo Newspaper (Huancayo, Peru) 2013 With great regard and admirationyou being a decorous person: Poems for the Soul (The Galilean) tells us, the reader, once more of your endless layers and poetic productions, which exalt the intelligence and human culture. Mayor, San Juan De Miraflores, Lima, Per: Dr. Adolfo Vargas, 8-2013
Most folks, to include poets, prefer poetry on death to entail mostly courage and strength; I dont disagree completely with that, only partly, for submissive suffering is also involved; yet, many folks just do not want to look at both sides of the dying. Nowadays things are changing, and it is more permissible, yet still bold to mix them together, and thus, here we have just that. I prefer true emotions: be it aggressive or passive when going through death voyages; for such are during a paramount loss, of a loved one dying, day by day, especially, ones mother, as in Days... In the second section of the book, is the prose poem: Recapitulations (or, The Meatpackers Boy) autobiographical in content. Also, a few additional independent poems on: Vietnam, America, An Old Furnace and Commentary: Trials of a Poet. The third section, four new poems, Coming of Old Age. In section four: a letter from Pope Francis to the author, quotes, and the authors books. Much of the poetry in this book, Days, is done in a free verse style, long line form, other than the confessional-grieving poetry on the death of the poets mother, a very deserted, overwhelming, human undertaking. Rosa Pealoza This is the poets 47th book, 16th in poetry. He lives in Lima, Peru and in the Andes, in Huancayo, with his wife Rosa; he is from Minnesota, and has won numerous awards for his writings. Presently working on several books. Back picture of the author, taken in Huancayo, 2011.
A History of Ancient Chinese Music and Dance describes the history of music and dance in ancient China in the past five thousand years in the forms of poems, music and dance. It includes court music and dance, music and dance in drama and folk music and dance. It covers historical and professional knowledge such as music, dance, poetry and drama. The book consists of eleven chapters, from ancient times to the Ming Dynasty and the Qing Dynasty. In each chapter, there are historical background, music and dance works, people, events, and related poetry and images. The Yellow Emperor created tonality for wind instruments. Emperor Yao and Emperor Shun invented musical instruments qin and se. Duke of Zhou made system of rites and music. Apart from these, music, dance and acrobatics in the Qin Dynasty and the Han Dynasty, grand compositions in the Tang Dynasty and the Song Dynasty and music and dance in drama in the Ming Dynasty and the Qing Dynasty can all lead us to the long developing process of ancient music and dance. The book was the Project of 2003 National Tenth Five-Year Plan for Art Science in China. It was co-funded by the National Publishing Fund and “China Classics International” of the General Administration of Press and Publication.
This book is the volume of ''Travel Guide of Hunan'' among a series of travel books (''Travelling in China''). Its content is detailed and vivid.
"Winona, a Dakota Legend; and Other Poems" is a book of poems, sonnets, and poetic translation by Eli Lundy Huggins, an American soldier and poet who received the Medal of Honor for his activity in the Indian Wars. The longest poem in the book that gave the edition its name is "Winona," which is a poem in three parts.
This book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.