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The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.
Three celebrated volumes of verse from a feminist icon, poet, and author of the groundbreaking novel Mrs. Stevens Hears the Mermaids Singing. Letters from Maine: A rugged coastline provides a stark background for Sarton’s images of a tragically brief love. With vulnerability and emotional depth, she explores the willingness to devote everything to a new love, as well as the despair at the memory of what is left over when it fades. Inner Landscape: This collection of May Sarton’s poems displays her inimitable mix of stately verse and depth of feeling that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet. Halfway to Silence: After decades of writing flowing lyric verse, May Sarton’s style turned to short, vibrant bursts of poetry. These condensed poems are rife with exuberant impressions of nature and of love, including two of her most acclaimed works, “Old Lovers at the Ballet” and “Of the Muse.” Recognized as a true pioneer in lesbian literature, “Sarton’s poems enter and illuminate every natural corner of our lives. . . . So strong in their faith and in their positive response to the human condition that they will outlast much of the fashionable, cynical poetry of our ear” (James Martin).
Now in one volume: Three exquisite meditations on nature, healing, and the pleasures of the solitary life from a New York Times–bestselling author. In a long life spent recording her personal observations, poet, novelist, and memoirist May Sarton redefined the journal as a literary form. This extraordinary volume collects three of her most beloved works. Journal of a Solitude: Sarton’s bestselling memoir chronicles a solitary year spent at the house she bought and renovated in the quiet village of Nelson, New Hampshire. Her revealing insights are a moving and profound reflection on creativity, oneness with nature, and the courage it takes to be alone. Plant Dreaming Deep: Sarton’s intensely personal account of how she transformed a dilapidated eighteenth-century farmhouse into a home is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life. Recovering: In this affecting diary of one year’s hardships and healing, Sarton focuses on her sixty-sixth year, which was marked by the turmoil of a mastectomy, the end of a treasured relationship, and the loneliness that visits a life of chosen solitude. By turns uplifting, cathartic, and revelatory, Sarton’s journals still strike a chord in the hearts of contemporary readers. Through them, in the words of the Los Angeles Times, “we are able to see our own experiences reflected in hers and we are enriched.”
Finished before her death, these entries reflect back on Sarton's life and on her years as a teacher, poet, author, lover, and friend.
The author’s tribute to the 18th-century New England farmhouse she called home: “[A] tender and often poignant book by a woman of many insights” (The New York Times Book Review). In Plant Dreaming Deep, Sarton shares an intensely personal account of transforming a house into a home. She begins with an introduction to the enchanting village of Nelson, where she first meets her house. Sarton finds she must “dream the house alive” inside herself before taking the major step of signing the deed. She paints the walls white in order to catch the light and searches for the precise shade of yellow for the kitchen floor. She discovers peace and beauty in solitude, whether she is toiling in the garden or writing at her desk. This is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life. This ebook features an extended biography of May Sarton.
DIVDIVA striking collection of short poems from acclaimed writer May Sarton/divDIV After decades of writing flowing lyric verse, May Sarton’s style turned to short bursts of poetry. Likening poetry to gardening, she writes, “Muse, pour strength into my pruning wrist / That I may cut the way toward open space.” These condensed poems are rife with exuberant impressions of nature and of love. Included are two of Sarton’s most acclaimed poems, “Old Lovers at the Ballet” and “Of the Muse.”/div/div
An affecting diary of one year’s hardships and healing, by one of the twentieth century’s most extraordinary memoirists For decades, readers have celebrated May Sarton’s journals for their candid look at relationships, success and failure, communion with nature, and the curious stages of aging. In Recovering, Sarton focuses on her sixty-sixth year—one marked by the turmoil of a mastectomy, the end of a treasured relationship, and the loneliness that visits a life of chosen solitude. Each deeply felt entry in the journal, written between 1978 and 1979, is laced with poignancy and honesty as she grapples with a cold reception for her latest novel, the sad descent of a close friend into senility, and other struggles. Despite the trials of this one painful year, Sarton writes of her progression toward a hard-won renewal, achieved through good friendships, the levity provided by her cherished dog, and peaceful days in her garden. A candid account of Sarton’s revival from personal darkness back into light, Recovering is another stunning entry in the author’s irrepressible oeuvre.
Story of a painter on vacation and a mistreated donkey.
Winner of the American Book Award: May Sarton’s honest and engrossing journal of her seventieth year, spent living and working on the Maine coast. May Sarton’s journals are a captivating look at a rich artistic life. In this, her ode to aging, she savors the daily pleasures of tending to her garden, caring for her dogs, and entertaining guests at her beloved Maine home by the sea. Her reminiscences are raw, and her observations are infused with the poetic candor for which Sarton—over the course of her decades-long career—became known. An enlightening glimpse into a time—the early 1980s—and an age, At Seventy is at once specific and universal, providing a unique window into septuagenarian life that readers of all generations will enjoy. At times mournful and at others hopeful, this is a beautiful memoir of the year in which Sarton, looking back on it all, could proclaim, “I am more myself than I have ever been.”
May Sarton presents a collection of socially charged yet universal poems One of the many gems of this volume is “The Invocation to Kali,” which explores a dark and destructive femininity. Sarton writes of “Crude power that forges a balance / Between hate and love,” finding an amalgam of dark and light within a single act. This graceful and nuanced work forges powerful connections between timeless ideas and specific moments in history.