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This new (bilingual) edition of the 15th-century poet1s work incorporates recent scholarship.
One of the most original and influential European poets of the Middle Ages, François Villon took his inspiration from the streets, taverns, and jails of Paris. Villon was a subversive voice speaking from the margins of society. He wrote about love and sex, money trouble, "the thieving rich," and the consolations of good food and wine. His work is striking in its directness, wit, and gritty urban realism. Villon’s writing spurred the development of the psychologically complex first-person voice in lyric poetry. He has influenced generations of avant-garde poets and artists. Arthur Rimbaud and Paul Verlaine have emulated Villon’s poetry. Claude Debussy set it to music, and Bertolt Brecht adapted it for the stage. Ezra Pound championed Villon’s poetry and became largely responsible for its impact on modern verse. With David Georgi’s ingenious translation, English-speaking audiences finally have a text that captures the riotous energy and wordplay of the original. With a newly revised French text that reflects the latest scholarship, this bilingual edition also features inviting and informative notes that illuminate the nuances of Villon’s poems and the world of medieval Paris.
Louis Simpson's translation of Francois Villon's The Legacy and The Testament has achieved the impossible, as Simpson has created the definitive translation of the life work of France's greatest poet of the 15th century Abandoned by his parents at an early age and raised by a foster father, later imprisoned, chained and tortured, somehow Villon survived to write one of the most enduring epics ever.
Francois Villon was the last of the great medieval poets, as important in his own, more limited, sphere as Chaucer or Dante. His fame surpasses that of any other medieval French lyricist in spite of the modest quantity, uneven quality, and often repellent subject-matter of his work. His poems are largely autobiographical, and are rich in their descriptions of thefts, fights, nocturnal prowling, imprisonment, and exile. However, as Barbara Sargent-Baur points outs, when Villon’s work is good, it is very good, indeed unforgettable. His two major works are the Lais, a series of bequests in anticipation of his prudent departure from Paris, and Testament, which is about his primary topic, himself. There have been many translations of Villon’s work into many languages, including English, but this is the first edition of the whole of the corpus utilizing a re-reading of all the manuscript sources and presenting for each poem a single-source text with all emendations accounted for. It is also the first annotated English version based on the best-text principle and respecting both Villon’s meaning and his metrics. A modern edition of the French texts is presented beside the English on facing pages. In an extensive commentary, Sargent-Baur identifies the poet’s literary and historical allusions, as well as place-names, legatees, and biographical data.
Taylor explores the work of François Villon and his relationship to his predecessors and contemporaries.
The play tells a life story of the greatest French poet of the 15th century - Francois Villon, also known as the “Voice of Paris”. The story leads us from Villon’s student years, when he used to be an assiduous scholar of Sorbonne and foster child of the senior Priest Guillaume de Villon, to the time when the poet gets involved with a bad company and is being lead into the mire of thefts, burglaries, and fi nally – unpremeditated murder. After the crime Villon is banished from Paris and he wanders in the precincts of the city fi ghting for survival, retaining his fervent mind, sharp tongue, skill of scoffi ng his enemies and ill-wishers in his poems. However, the prodigal son returns to Paris to fi nd his place in this world... Being banished for the last time, he vanishes from Paris and vanishes from History.....
The Morning Line is David Lehman’s most ambitious book to date, combining wit, quotidian charm, and off-the-cuff spontaneity of poems written with candid and moving meditations on life, love, aging, disease, friendship, chance, and the possibility of redemption in a godless age. Lehman is a poetic ventriloquist, and he expertly imitates Catullus and François Villon in new poems and offers his fresh translations of Mayakovsky’s “Cloud in Trousers” and Hölderlin’s “Half-Life.” The element of joie de vivre in Lehman’s work is distinctive and unusual in contemporary poetry. Excerpt from “Fats Waller Live in 1935” Think of that: in 1935 when everyone was supposed to be miserable, here was Fats Waller in his derby hat mustache cigarette and huge grin playing and singing for the sheer joy of it.
Works by Villon, Ronsard, Voltaire, Mallarmé, Verlaine, Rimbaud, Apollinaire, many more. Full French texts with literal English translations on facing pages. Biographical, critical information on each poet. Introduction. 31 black-and-white illustrations.