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Ben Jonson, who was with Shakespeare and Marlowe one of three principal playwrights of his age, was also one of its most original and influential poets. Known best for the country house poem ‘To Penshurst’ and his moving elegy ‘On my First Son’, his work inspired the whole generation of seventeenth-century poets who declared themselves the ‘Sons of Ben’. This edition brings his three major verse publications, Epigrams (1616), The Forest (1616), and Underwood (1641) together with his large body of uncollected poems to create the largest collection of Jonson’s verse that has been published. It thus gives readers a comprehensive view of the wide range of his achievement, from satirical epigrams through graceful lyrics to tender epitaphs. Though he is often seen as the preeminent English poet of the plain style, Jonson employed a wealth of topical and classical allusion and a compressed syntax which mean his poetry can require as much annotation for the modern reader as that of his friend John Donne. This edition not only provides comprehensive explanation and contextualization aimed at student and non-specialist readers alike, but presents the poems in a modern spelling and punctuation that brings Jonson’s poetry to life.
This volume offers an abundant and representative selection of the verse of Ben Jonson and the Cavalier poets.
The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson’s expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson’s life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.
In the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
An accessible, up-to-date introduction to the life and works of poet and dramatist Ben Jonson.
Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study. In this new book, Rosalind Miles, author of the widely acclaimed Ben Jonson: His Life and Work, presents a comprehensive critical study of the whole of Jonson's output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, she reveals a far more interesting and more varied picture of Jonson than we are accustomed to--not the accomplished artist so much as the struggling craftsman. In telling the story of Jonson's creative career, Rosalind Miles does justice to the whole of his magnificent and varied oeuvre, whose range is so little known to the general reader and which can still surprise literary specialists. This detailed portrait of the growth and development of a creative artist unique in his own time and rare in any other shows that the more we know, the more there is in Jonson to admire. As we see him at work, share his struggle with form and content, with reader and audience, and experience the erratic pattern of his failure and success, he emerges as a much more truthful and vital figure than the Jonson of literary and critical tradition. Written with life and vigour, and informed with the author's life-long passion for the work of Jonson, the book is a superb introduction to Jonson for students and general readers alike. The only scholarly critical study which covers everything Jonson ever wrote, it will also prove an invaluable work of reference for scholars and libraries.