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Emperor Taizong (r. 626–49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong’s construction of a reputation for moral rulership through his own literary writings—with particular attention to his poetry. The author highlights the relationship between historiography and the literary and rhetorical strategies of sovereignty, contending that, for Taizong, and for the concept of sovereignty in general, politics is inextricable from cultural production. The work focuses on Taizong’s literary writings that speak directly to the relationship between cultural form and sovereign power, as well as on the question of how the Tang negotiated dynastic identity through literary stylistics. The author maintains that Taizong’s writings may have been self-serving at times, representing strategic attempts to control his self-image in the eyes of his court and empire, but that they also become the ideal image to which his self was normatively bound. This is the paradox at the heart of imperial authorship: Taizong was simultaneously the author of his representation and was authored by his representation; he was both subject and object of his writings.
The book examines trends in American literature and sheds new light on the legal history of race relations during the Progressive Era.
During the Progressive Era, the United States regularly suspended its own laws to regulate racialized populations. Judges and administrators relied on the rhetoric of sovereignty to justify such legal practices, while in American popular culture, sovereignty helped authors coin tropes that have become synonymous with American exceptionalism today. In this book, Andrew Hebard challenges the notion of sovereignty as a 'state of exception' in American jurisprudence and literature at the turn of the twentieth century. Hebard explores how literary trends such as romance and realism helped conventionalize, and thereby sanction, the federal government's use of sovereignty in a range of foreign and domestic policy matters, including the regulation of overseas colonies, immigration, Native American lands, and extra-legal violence in the American South. Weaving historiography with close readings of Mark Twain, the Western, and other hallmarks of Progressive Era literature, Hebard's study offers a new cultural context for understanding the legal history of race relations in the United States.
Emperor Taizong (r. 626-49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong's construction of a reputation for moral rulership through his own literary writings--with particular attention to his poetry. The author highlights the relationship between historiography and the literary and rhetorical strategies of sovereignty, contending that, for Taizong, and for the concept of sovereignty in general, politics is inextricable from cultural production. The work focuses on Taizong's literary writings that speak directly to the relationship between cultural form and sovereign power, as well as on the question of how the Tang negotiated dynastic identity through literary stylistics. The author maintains that Taizong's writings may have been self-serving at times, representing strategic attempts to control his self-image in the eyes of his court and empire, but that they also become the ideal image to which his self was normatively bound. This is the paradox at the heart of imperial authorship: Taizong was simultaneously the author of his representation and was authored by his representation; he was both subject and object of his writings.
In this far-reaching and provocative study, Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed literary writers of the Victorian era to expand the capacities of literary form. He explores the works of some of the era's most astute thinkers, including George Eliot, Charles Dickens, and Robert Louis Stevenson.
This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
This book offers an in-depth investigation into the writings of one of modern Japan's most gifted poet-scholars, Nishiwaki Junzaburo (1894-1982), who has been compared to T. S. Eliot, R. M. Rilke, and Paul Valéry. Exploring both his poetry and theoretical writings, Hosea Hirata describes how Nishiwaki, who wrote his first poems in English and French, shaped a highly influential poetic modernism in Japan while elevating the artistic status of translation. This volume includes Nishiwaki's highly original essays on the nature of poetry, his first two collections of Japanese poems, and a poem meditating on the annihilation of symbolism. The author maintains that in Japan the language of modernism was that of translation. When Nishiwaki finally began to write poems in Japanese, a new poetic language was born in his country: a translatory language. Hirata elaborates this birth of new poetry via translation by referring to the theories of translation and of différance articulated by Walter Benjamin and Jacques Derrida. The author reconsiders the view that translated texts are secondary to the originals, where the truth supposedly resides; instead he presents translation as an essential textual movement, écriture, toward the paradise of pure language and Poetry. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Literature and "Interregnum" examines the unraveling of the political forms of modernity through readings of end-of-millennium literary texts by César Aira, Marcelo Cohen, Sergio Chejfec, Diamela Eltit, and Roberto Bolaño. The opening of national spaces to the global capitalist system in the 1980s culminates in the suspension of key principles of modernity, most notably that of political sovereignty. While the neoliberal model subjugates modern forms of social organization and political decision making to an economic rationale, the market is unable to provide a new ordering principle that could fill the empty place formerly occupied by the national figure of the sovereign. The result is a situation that resembles what the Italian political philosopher Antonio Gramsci termed "interregnum," an in-between time in which "the old [order] is dying and the new cannot be born." The recoding of history as literary form provides occasions for reconsidering modern conceptualizations of aesthetic experience, mood, temporality, thought, politics, ethical experience, as well as of literature itself as social institution. In his analysis, Patrick Dove seeks to create dialogues between literature and theoretical perspectives, including Continental philosophy, political thought, psychoanalysis, and sociology of globalization. The author highlights the connections between mass media, technology, politics, and economics.
Sovereignty and Sustainability examines how Native American authors in what is now called New England have maintained their own long and complex literary histories, often entirely outside of mainstream archives, libraries, publishing houses, and other institutions usually associated with literary canon-building. Indigenous people in the Northeast began writing in English almost immediately after the arrival of colonial settlers, and they have continued to write in almost every form—histories, newsletters, novels, poetry, and electronic media. Over the centuries, Native American authors have used literature to assert tribal self-determination and protect traditional homelands and territories. Drawing on the fields of Native American and Indigenous studies, environmental humanities, and literary history, Siobhan Senier argues that sustainability cannot be thought of apart from Indigenous sovereignty and that tribal sovereignty depends on environmental and cultural sustainability. Senier offers the framework of literary stewardship to show how works of Indigenous literature maintain, recirculate, and adapt tribally specific approaches to community, land, and relations. Individual chapters discuss Wampanoag historiography; tribal newsletters and periodicals; novelists and poets Joseph Bruchac, John Christian Hopkins, Cheryl Savageau, and Melissa Tantaquidgeon Zobel; and tribal literature on the web and in electronic archives. Pushing against the idea that Indians have vanished or are irrelevant today, Senier demonstrates to the contrary that regional Native literature is flourishing and looks to a dynamic future.