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"Twentieth-century poetry engages in a highly self-conscious meditation on the nature of poetic language. Spanish poetry, however, has sometimes been considered an exception to this tendency. This book, with its focus on linguistic self-reflexivity, refutes the notion that major Spanish poets such as Jorge Guillen and Vicente Aleixandre are theoretically naive creators. In a series of nuanced readings, Jonathan Mayhew demonstrates the extent to which modern Spanish poets are conscious of their linguistic medium." "Previous books on Spanish poetry published in English have been more limited in scope, usually including poets of a single "generation." The Poetics of Self-Consciousness is the first to study well-known writers of the earlier part of the century along with more recent poets such as Jose Angel Valente, Jaime Gil de Biedma, Jose Maria Alvarez, and Juan Lamillar. Interpreting poetic texts written from the 1920s through the 1980s, Mayhew is able to trace the evolving function of literary self-consciousness in Spanish poetry while remaining attentive to the differences among writers of the same historical moment. The modernist poets of the earlier part of the century are preoccupied by the problem of literary mimesis: the representation of reality through language. In the postwar years, poets turned their attention to the social and ethical dimensions of poetic language. The postmodernists of more recent decades, finally, are increasingly concerned with their own belatedness with respect to cultural traditions of the past." "Critics hailed Jonathan Mayhew's first book, Claudio Rodriguez and the Language of Poetic vision, as an "enlightening and timely book on perhaps Spain's greatest living poet," and "a signal first effort from a critic with high scholarly standards and a penetrating insight into contemporary poetry." With The Poetics of Self-Consciousness: Twentieth-Century Spanish Poetry, readers will discover another probing study of other modern and postmodern Spanish poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A study of Lorca's poetic trajectory. This volume is one of few surveys in English of the whole of Lorca's poetry and the first to concentrate entirely on self-consciousness, a subject which it sees as central to our understanding of the work of a poet writing in themost self-conscious of literary periods: the Modernist era. Focusing on poems which have the poet, art and creativity as their subject, or which draw attention at a formal level to issues of practice or style, it shows how these poems speak for or against contemporary aesthetic doctrine, thereby revealing the extent of the poet's allegiance to it and the positions he takes up in the process of making his own mark in the literary field. In so doing itcharts the development of a poet whose self-conscious engagement with his art offers an explanation as to why his work, in the space of little more than a decade and a half, should have been so singular and diverse. FEDERICO BONADDIO lectures in Modern Spanish Studies at King's College London.
Plurality and the Poetics of Self investigates the words “I” and “self” as suggestive of eight territories of meaning. Via poetry’s lens into language and its limits, Bruce Bond explores the notion of self as identity, volitional agent, ego, existential monad, subjectivity, ontological origin, soul, and transpersonal psyche. Taking poetic meaning as our common currency, the book emphasizes the critical role of the un-representable and how embattled and confused assumptions threaten ever deeper alienation from one another and ourselves.
Self-conscious art constitutes a significant and previously neglected feature of modern literature and is a crucial concern of contemporary criticism. The essays in this volume consider such questions as the limits of self-consciousness, the creative and circumstantial tensions that produce its various features, the ludic nature of art, the role of interpretation, and the aesthetic, social, and mythic reverberations of self-reflexive art.
This book suggests that the origins of the thought and literature which is termed "modern" can be traced to the 13th-century Italian invention of the sonnet, the first literary form since classical times meant not for performance but for silent reading and introspection
First published in 1981, this study sees Wordsworth’s work as part of the continuous European struggle to come to terms with consciousness. The author pays particular attention to Wordsworth’s style and investigates the unstated and unconscious assumptions of that style. He discusses the conflicting feelings that shaped Wordsworth’s changing conception of The Recluse, offers a new interpretation of his classification of his poems and examines the meaning of one of his favourite images — the panoramic view of a valley filled with mist. While the emphasis is on Wordsworth’s greatness as a poet, the book stresses the importance of significance of his relation to European literature and poetry.
Focusing on the work of two of the 20th-century's most politically engaged poets - W. B. Yeats and W. H. Auden - this book unpacks how they directly confront the concept of “utopia,” how they engage with utopia as a literary genre, and how their work conceives of poetry as a utopian artform capable of uniquely embodying our social aspirations. Despite consistently projecting visions of more ideal futures through both its subject matter and its form, poetry is not often counted among the annals of utopian literature. Through an examination of these two great writers' poems, essays, reviews, and other writings, with a focus on many of their best-known poems, this book highlights both the pervasive presence of a utopian impulse in their work and the importance of their contributions to discussions of utopia's meaning and relevance in both their own politically fraught era and ours.
This work offers a theoretical look at Latin didactic poems. It discusses the characteristics that make a poem didactic from the points of view of both theory and literary history, and traces the genre's history, from Hesiod to Roman times.