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From a 250 year-old manuscript come these selections from the work of America's first important poet, Edward Taylor of Massachusetts. He was regarded by Mark Van Doren as the writer of "the most interesting American verse before the 19th century." Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Now considered America's foremost colonial poet, Edward Taylor was virtually unknown until some of his poems were discovered in the Yale library and published in 1937. The intellectual brilliance and the emotional intensity of his poetical meditations have led critics to compare him to John Donne and George Herbert. These poems are now recognized as one of the great achievements in American devotional literature. Book jacket.
When the young minister-poet Edward Taylor moved to Westfield, Massachusetts, in November of 1671, he had written several poems. When he died there fifty-eight years later, in addition to thousands of sermons and more than 2,000 manuscript pages of original prose, he had composed some 40,000 lines of poetry. For two of his poetic projects in particular, Taylor is considered - with Anne Bradstreet - one of British North America's most accomplished poets. Daniel Patterson's Edward Taylor's Gods Determinations and Preparatory Meditations: A Critical Edition reconsiders the texts of Taylor's two major works for the first time since Donald Stanford's 1960 edition. This volume also offers the first complete text of all the Meditations that Taylor transcribed into his Poetical Works manuscript. The restoration of Taylor's text, however, is the most enduring value of this edition, which is designed to become the new standard edition of these poems. The scores of substantive variants and the hundreds of variants in matters of punctuation and capitalization existing between the Patterson and Stanford texts are fully reported in the back of the volume, as are all editorial emendations. Ulti
A collection of magical Italian folk and fairy tales—most in English for the first time The Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy’s political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time. The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig’s body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors. Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.
DigiCat Publishing presents to you this special edition of "The Day of Doom; Or, a Poetical Description of the Great and Last Judgement" by Michael Wigglesworth. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Edward Taylor - American Writers 52 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.