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In Peacock's new book, she strips away poetry's scary mystique, introducing readers to its pleasures and inspiring them to form their own poetry circles with friends.
Lucid, entertaining and full of insight, How To Read A Poemis designed to banish the intimidation that too often attends thesubject of poetry, and in doing so to bring it into the personalpossession of the students and the general reader. Offers a detailed examination of poetic form and its relationto content. Takes a wide range of poems from the Renaissance to the presentday and submits them to brilliantly illuminating closesanalysis. Discusses the work of major poets, including John Milton,Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson,W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon,and many more. Includes a helpful glossary of poetic terms.
Beautifully crafted, melodic poems which lightly carry their intrinsic darkness.
A young woman's impassioned pursuit of a sealed cache of T. S. Eliot's letters lies at the heart of this emotionally charged novel -- a story of marriage and madness, of faith and desire, of jazz-age New York and Europe in the shadow of the Holocaust. The Archivist was a word-of-mouth bestseller and one of the most jubilantly acclaimed first novels of recent years.
Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.
Selected for the official TED bookstore (2013), YOU ARE A CIRCLE is a stunning visual poem where you're invited (and challenged) on a journey to explore your creativity. This voyage is made of mysterious circles and zen-like aphorisms that feel like the voice of an old friend. A mesmerizing experience, YOU ARE A CIRCLE is the perfect companion for the creative mind. It's a timeless book that will inspire you for the years to come.
From the National Book Critics Circle Award–winning poet and critic: “A lovely book, full of joy and wisdom.” —The Baltimore Sun How to Read a Poem is an unprecedented exploration of poetry, feeling, and human nature. In language at once acute and emotional, Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts. “Hirsch has gathered an eclectic group of poems from many times and places, with selections as varied as postwar Polish poetry, works by Keats and Christopher Smart, and lyrics from African American work songs . . . Hirsch suggests helpful strategies for understanding and appreciating each poem. The book is scholarly but very readable and incorporates interesting anecdotes from the lives of the poets.” —Library Journal “The answer Hirsch gives to the question of how to read a poem is: Ecstatically.” —Boston Book Review “Hirsch’s magnificent text is supported by an extensive glossary and superb international reading list.” —Booklist “If you are pretty sure you don’t like poetry, this is the book that’s bound to change your mind.” —Charles Simic, Pulitzer Prize–winning author of The World Doesn’t End
One should never assume that the narrator in a poem is expressing views identical to the author's. "For words, like Nature, half reveal / And half conceal the Soul within," wrote Tennyson. Autobiographical elements tend to be so mixed in with the fictional that lines blur. Bazyn's revolving carousel of poetic "I's" includes an egotist who makes fun of his arrogance; a baby confused by his wobbly surroundings; the simple joys of a childhood Christmas; youth's dilemma at forging a vocation; the peculiar circumstances surrounding one's first love; reminiscences of a recent class reunion; a period of self-examination following the death of a neighbor; anxiously awaiting a monogrammed invitation; lessons gleaned from closely inspecting nature; exhibiting faith in a secular metropolis; dreaming of a technician's utopia; and the frailty and ragged edges of old age. The narrator is, by turns, nostalgic, uneasy, speculative, forlorn, elated, discombobulated--representing, as he does, different stages of life, personality types, and psychological moods. Bazyn's language can be mysterious, his sentences follow a winding course, his stanzas end abruptly. Bewitching black-and-white photos accent and enhance each poem's metaphors. As you gaze into this verbal/visual mirror, likenesses of the hidden self emerge and take on unexpected shapes.