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Allama Mohammad Iqbal, whom Sarojini Naidu called the ‘Poet laureate of Asia’, remains a controversial figure in the history of the Indian subcontinent. On the one hand, he is considered the ‘Spiritual Father of Pakistan’. On the other, his message of Eastern revivalism places him in the ranks of the twentieth century’s major intellectuals. Iqbal’s tragedy was that after his death, he was made the national poet of Pakistan and largely ignored in India. In his time, he was lauded as much as Tagore, but today India celebrates Tagore while Iqbal has been banished from her consciousness. This meticulously researched biography will redress that erasure. This is the story of Iqbal’s evolution as a poet, philosopher and politician. While his role in the struggle for India’s freedom and the Pakistan movement are well known, not much is known about his personal life. This book highlights some of the least known facets of the poet’s life: how did a nationalist poet transform into a poet of Islamic revivalism and global revolution? How did three years in Europe change Iqbal’s political and philosophical outlook? Why did he start writing in Persian during his stay in Europe? Why did his first marriage fail and how did his romantic relationships affect him? What exactly was the poet’s role in bringing about Partition? Written with the passion of an ardent devotee, Zafar Anjum’s Iqbal answers all of these questions—and many more—in this carefully told biography.
Allama Muhammad Iqbal (1877-1938), also known as the 'Poet of the East', earned a doctorate in philosophy from the Ludwig-Maximillian University at Munich, and wrote his most evocative poems in Urdu, a language that was not his mother tongue. He counted Jawaharlal Nehru as one of his fans, and earned Mahatma Gandhi's respect as well. His funeral was attended by 70,000 people, which included colonialists and freedom fighters, socialist atheists and Islamic fundamentalists, Indian nationalists and Muslim Leaguers, reflecting his ability to defy categorization. The book is a relatively short volume that introduces Iqbal to the millennial generation. It is written in a relatively contemporary language, similar to Ghalib: A Thousand Desires. The bulk of the book will comprise a temporal and intellectual biography of Iqbal, while the rest will include a detailed discussion of one of Iqbal's poems, a translation of some of his well-known poems, and a sampling of some of his famous verses. It will not for the Iqbal-expert or the Urdu-expert, but for a relative newcomer.
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.