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'The Poet-Emperor of EARTH - A In-Depth Dialogue with the DEITY' breathes with a laser-like satiric brilliance. Author John Telford, a longtime social activist who was a recent Detroit mayoral candidate and a superintendent of that city's public schools, creates an only SEMI-fictitious hallucinatory world that illuminates the equally surreal one we live in. Often darkly humorous, it incidentally lauds Bernie Sanders and puts Donald Trump in an interesting place. You won't put this book down--but no peeking before the end!
My good friend and fellow poet John Telford has been a world-ranked sprinter, a championship track coach, a teacher, a college professor, and a Detroit Public Schools superintendent. He remains a lifelong civil-rights activist. - Blane Smith, All-American Purdue and NFL linebacker Telford is Detroit's Robert Frost! - Joseph Preville, PH.D., Harvard University John's Detroit-oriented poetry is shameless kiss-and-tell - and it's brilliant! - Dr. Stuart Kirschenbaum, Michigan Boxing Commissioner Emeritus This All-American athlete and physical marvel tells poetic tales of love and ecstasy with a blunt, unruly truth that transcends the tyrannical rules of decorum. - Sunanda Samaddar Corrado, Ph.D., Columbia University Dr. Telford's autobiographical verse is evocatively erotic, and he's also a poetic genius. - Mildred Williams, Coordinator, the Detroit Poets & Authors Society Coach Telford is a legend. - Spencer Haywood, NBA All-Star forward Herein are fascinating pages of Detroit's athletic and civil-rights history, also recounting this busy Bard's AMATORY history, as well. - Greg Dunmore, Pulsebeat TV Arts, Entertainment, and Culture journalist, Detroit John Telford has fully tasted the forbidden fruit. - Willie Wooten, vice president (retired), Detroit Public Schools Organization of Administrators and Supervisors I'm going to read this poetic masterpiece over and over again! Come and join me! - Greg Thrasher, radio and TV commentator, Washington, D.C
Professor Dihle sees the Greek and Latin literature between the 1st century B.C. and the 6th century A.D. as an organic progression. He builds on Schlegel's observation that art, customs and political life in classical antiquity are inextricably entwined and therefore should not be examined separately. Dihle does not simply consider narrowly defined `literature', but all works of cultural socio-historical significance, including Jewish and Christian literature, philosophy and science. Despite this, major authors like Seneca, Tacitus and Plotinus are considered individually. This work is an authoritative yet personal presentation of seven hundred years of literature.
In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
Mark Forman explores the extent to which Paul's concept of 'inheritance' in Romans, and its associated imagery, logic and arguments, served to evoke socio-political expectations that were different to those which prevailed in contemporary Roman imperial discourse. Forman explores how Paul deploys the idea of inheritance in Romans and analyses the sources which inform and overlap with this concept. Coins, literature and architecture are all examined in order to understand the purpose, hopes and expectations of first-century society. This book contributes to recent studies covering Paul and politics by arguing that Paul's concept of inheritance subverts and challenges first-century Roman ideologies.
This study of the literary relationship between Charles Williams and C. S. Lewis during the years 1936-1945 focuses on the theme of 'co-inherence' at the centre of their friendship. The idea of 'co-inherence' has long been recognized as an important contribution of Williams to theology, and had significant influence on the thought of Lewis. This account of the two writers' conviction that human persons 'inhere' or 'dwell' both in each other and in the triune God reveals many inter-relationships between their writings that would otherwise be missed. It also shows up profound differences between their world-views, and a gradual, though incomplete, convergence onto common ground. Exploring the idea of co-inherence throws light on the fictional worlds they created, as well as on their treatment (whether together or separately) of a wide range of theological and literary subjects: the Arthurian tradition, the poetry of William Blake and Thomas Traherne, the theology of Karl Barth, the nature of human and divine love, and the doctrine of the Trinity. This study draws for the first time on transcriptions of Williams' lectures from 1932 to 1939, tracing more clearly the development and use of the idea of co-inherence in his thought than has been possible before. Finally, an account of the use of the word 'co-inherence' in English-speaking theology suggests that the differences that existed between Lewis and Williams, especially on the place of analogy and participation in human experience of God, might be resolved by a theology of co-inherence in the Trinity.
Isaiah's servant songs reveal a true and better Adam In Charged with the Glory of God, Caroline Batchelder provides a synchronic, theological, and canonical reading of the four Servant Songs in Isaiah (42:1–9; 49:1–13; 50:3–11; 52:13–53:12), showing how they relate to one another and the message of the prophetic book. Reading Isaiah as a compositional unity in conversation with other texts such as Genesis results in a coherent presentation of the mysterious servant. The polemic against idolatry reveals rebellious Israel to be false imagers of God. In contrast, Isaiah's servant is an ideal embodiment of Yahweh's image and likeness. Thus, the servant is a paradigm for those who wish to recapture and realize God's good creation purposes for all humanity. The servant poems are not only a call to reorient oneself as a servant towards God and his creation, but also a map and means for doing so. In this study, Batchelder offers fresh insights from Isaiah for understanding God's true image and its idolatrous counterfeits.