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Reprint of the original, first published in 1874.
'To see a World in a Grain of Sand 'And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour' William Blake wrote some of the most moving and memorable verse in the English language. Deeply committed to visionary and imaginative experience, yet also fiercely engaged with the turbulent politics of his era, he is now recognised as a major contributor to the Romantic Movement. This edition presents Blake's poems in their literary categories and genres to which they belong: his much-loved lyrics, ballads, comic and satirical verse, descriptive and discursive poems, verse epistles, and, finally, his remarkable 'prophetic' poems, including the whole of his two diffuse epics, Milton and Jerusalem. Blake's poetry is intellectually challenging as well as formally inventive, and this edition has a substantial critical introduction which places his ideas in the contemporary context of the Enlightenment and the artistic reaction against its key assumptions.
William Blake's work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake's work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages -- even demands -- that others take up Blake's creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake's work: from alternatives to traditional forms of archiving embodied by Blake's citation on Twitter and Blakean remixes on YouTube, smartmobs using Blake's name as an inspiration to protest the 2004 Republican National Convention, and students crowdsourcing reading and instruction in digital classrooms to better understand and participate in Blake's world. The book also includes a consideration of Blakean motifs that have created artistic networks in music, literature, and film in the twentieth and the twenty-first centuries, showing how Blake is an ideal exemplar for understanding creativity in the digital age.
Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press. This Reader's Guide: - Explains the unique development of Songs as an illuminated book - Considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century - Explores modern critical approaches and recent debates - Discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art' Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work.