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This collection offers the complete poems of Stephen Crane (1871 - 1900), as well as essays on him by Joseph Conrad and Willa Cather. One of the best short story writers of all time, Crane was also an important poet who established laconic precision as the dominant style of free verse. His followers included such authors as Carl Sandburg, William Carlos Williams and e.e. cummings. Without any doubt, Crane should be regarded as the father of modern-days' literary minimalism.
Stephen Crane has earned his place in the American literary canon largely on the basis of his novel "The Red Badge of Courage" and his psychologically compelling short fiction, he was also a remarkable poet whose poetry is full of irony and paradox, yet is often gentle and compassionate. "The Complete Poems" is a superb tribute to that poetic genius. In addition to collecting all 135 of Crane's known surviving poems, editor Joseph Katz has written a substantial introduction which places Crane's poetic achievement in context.
Excellent collection offers new insight into the mind and poetic genius of an author primarily known for his fiction. Includes "The Black Riders," "War is Kind," and a selection from Crane's uncollected poetic works.
A LOS ANGELES TIMES BOOK PRIZE WINNER A BOSTON GLOBE BEST BOOK OF 2021 Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane. With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight. Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death. In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it.
Stephen Crane’s short, compact life—“a life of fire,” he called it—is surrounded by myths, distortions, and fabrications. Paul Sorrentino has sifted through garbled chronologies and contradictory eyewitness accounts, scoured the archives, and followed in Crane’s footsteps. The result is the most accurate account of the poet and novelist to date.
Available for the first time in English, this is the definitive account of the practice of sexual slavery the Japanese military perpetrated during World War II by the researcher principally responsible for exposing the Japanese government's responsibility for these atrocities. The large scale imprisonment and rape of thousands of women, who were euphemistically called "comfort women" by the Japanese military, first seized public attention in 1991 when three Korean women filed suit in a Toyko District Court stating that they had been forced into sexual servitude and demanding compensation. Since then the comfort stations and their significance have been the subject of ongoing debate and intense activism in Japan, much if it inspired by Yoshimi's investigations. How large a role did the military, and by extension the government, play in setting up and administering these camps? What type of compensation, if any, are the victimized women due? These issues figure prominently in the current Japanese focus on public memory and arguments about the teaching and writing of history and are central to efforts to transform Japanese ways of remembering the war. Yoshimi Yoshiaki provides a wealth of documentation and testimony to prove the existence of some 2,000 centers where as many as 200,000 Korean, Filipina, Taiwanese, Indonesian, Burmese, Dutch, Australian, and some Japanese women were restrained for months and forced to engage in sexual activity with Japanese military personnel. Many of the women were teenagers, some as young as fourteen. To date, the Japanese government has neither admitted responsibility for creating the comfort station system nor given compensation directly to former comfort women. This English edition updates the Japanese edition originally published in 1995 and includes introductions by both the author and the translator placing the story in context for American readers.
The voice of the nation rings out loud and clear in this unique anthology of great American poetry. Editors Oscar Williams and Edwin Honig concentrate on the work of 20 major American poets. They include sizable selections from the poetry of: • Wallace Stevens • Ralph Waldo Emerson • William Carlos Williams • Henry Wadsworth • Ezra Pound • Walt Whitman • Edgar Allen Poe • Emily Dickinson • Edna St. Vincent Millay • Stephen Crane • e. e. cummings • Robert Frost • Hart Crane • W. H. Auden • And more...
The Black Riders and Other Lines is a book of poetry written by American author Stephen Crane (1871-1900). It was first published in 1895 by Copeland & Day. Black riders came from the sea. Three little birds in a row In the Desert Yes, I have a thousand tongues Once there came a man God fashioned the ship of the world carefully Mystic shadow, bending near me, I looked here I stood upon a high place, Should the wide world roll away, In a lonely place, "And the sins of the fathers shall be" If there is a witness to my little life, There was a crimson clash of war. "Tell brave deeds of war." There were many who went in huddled procession In heaven A god in wrath A learned man came to me once There was, before me Once I saw mountains angry Places among the stars I saw a man pursuing the horizon Behold, the grave of a wicked man There was set before me a mighty hill A youth in apparel that glittered "Truth," said a traveller Behold, from the land of the farther suns Supposing that I should have the courage Many workmen Two or three angels There was one I met upon the road I stood upon a highway A man saw a ball of gold in the sky I met a seer On the horizon the peaks assembled The ocean said to me once The livid lightnings flashed in the clouds And you love me Love walked alone I walked in a desert There came whisperings in the winds I was in the darkness Tradition, thou art for suckling children Many red devils ran from my heart "Think as I think," said a man Once there was a man I stood musing in a black world You say you are holy A man went before a strange God Why do you strive for greatness, fool? Blustering God "It was wrong to do this," said the angel A man toiled on a burning road A man feared that he might find an assassin With eye and with gesture The sage lectured brilliantly Walking in the sky Upon the road of my life There was a man and a woman There was a man who lived a life of fire There was a great cathedral Friend, your white beard sweeps the ground Once, I knew a fine song If I should cast off this tattered coat God lay dead in heaven A spirit sped
Inspired and informed by the music and urban landscape of New York City, Tongue & Groove employs jazzy and descriptive language in a sweep of city-life experiences and memories. A passionate rendering of incidents in spaces that include the subway, a school for the handicapped, and the Museum of Modern Art, Stephen Cramer employs richly sensual language and a wide range of imagery. Alluring portrayals of butterfly migrations, graffiti, and city buses complement this collection's connection to the everyday hoots, shouts, and yammer of the streets.