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Thomas Wyatt is the finest English poet between Chaucer and the Elizabethans. Many poems have been wrongly attributed to him, however, and the authenticity of different versions of his lyrics has been a matter of dispute. Richard Harrier makes a significant contribution both by establishing accurate texts and by determining the canon itself. The only solid foundation for the Wyatt canon is his personal copybook, the Egerton MS, here reproduced in a diplomatic text. The apparatus records all changes within the manuscript and all contemporary variants; explanatory notes are provided. This volume, which includes a detailed and comprehensive analysis of the sources, will stand as the ultimate authority for the text and canon of Wyatt's poems.
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In this thrillingly entertaining book, Nicola Shulman interweaves the bloody events of Henry VIII's reign with the story of English love poetry and the life of its first master, Henry VIII's most glamorous and enigmatic subject: Sir Thomas Wyatt. Poet, statesman, spy, lover of Anne Boleyn and favorite both of Henry VIII and his sinister minister Thomas Cromwell, the brilliant Wyatt was admired and envied in equal measure. His love poetry began as risqué entertainment for ambitious men and women at the slippery top of the court. But when the axe began to fall and Henry VIII's laws made his subjects fall silent in terror, Wyatt's poetic skills became a way to survive. He saw that a love poem was a place where secrets could hide.
Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. 'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer. This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power. Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.
Fleet River traces the journey of two travelers through landscapes earthly and otherworldly, following the river as it turns, dips underground, then reemerges unexpectedly as they fall in love with the world, as though for the first time. Mimicking the river's shifting course, the poems revise themselves as the book moves forward, turning against their own best discoveries, proving that the pilgrims' journey is less the discovery of love than the re-creation, poem by poem, of love's possibilities.
Songs and Sonnets (1557), the first printed anthology of English poetry, was immensely influential in Tudor England, and inspired major Elizabethan writers including Shakespeare. Collected by pioneering publisher Richard Tottel, it brought poems of the aristocracy - verses of friendship, war, politics, death and above all of love - into wide common readership for the first time. The major poets of Henry VIII's court, Sir Thomas Wyatt and Henry Howard, Earl of Surrey, were first printed in the volume. Wyatt's intimate poem about lost love which begins 'They flee from me, that sometime did me seke', and Surrey's passionate sonnet 'Complaint of a lover rebuked' are joined in the miscellany by a large collection of diverse, intriguingly anonymous poems both moral and erotic, intimate and universal.
While working on my last book, "The Shadow of the White Rose, Edward Courtenay Earl of Devon, 1526 to 1556,"I realized that I was only telling part of a story, as there are many links between Edward Courtenay and Thomas Wyatt the Younger, son of Thomas Wyatt the Elder. Thomas Wyatt the Elder receives partial credit for introducing the sonnet into English literature, later refined by William Shakespeare. Thomas the Younger is mainly known for leading a rebellion against the advent of Queen Mary of the House of Tudor.Born into a Catholic family with a history of loyal service to the Crown, Thomas Wyatt the Younge was a supporter of Queen Mary -- until she decided to marry Philip II of Spain. Wyatt had seen the horrors of the Spanish Inquisition and was dead set against tying England to this "foreigner."¥ What happened next helped Mary earn the moniker "Bloody Mary."¥ In this collection I have strived to bring together all known surviving documents from the life of Thomas Wyatt the Younger and present them in their original form, allowing the reader to piece together a pointillistic portrait of his protagonist. Here, he shows Wyatt's thinking, his bold strategies, and the drama of the rebellion he led against the Queen.This work is the product of many years of research in which I reviewed all that 600 years of history has recorded, and as when researching Edward Courtenay, I was particularly intrigued by references to missing or altered documents. The most valuable references are those from the period of Wyatt's lifetime and immediately thereafter, such as the account recorded by John Proctor, who was a schoolmaster from Tunbridge Wells and published the events of the rebellion the following year, 1554. Although Proctor's account may be slightly biased, his account is a valuable asset in comparison to those of other historians who do not offer as much detail. One additional account that is especially useful is provided by Raphael Holinshed, whose chronicles offer a rare and detailed account of a complete court trial of one of the conspirators; it is included in this edition.Other notable historians of the period only recorded bits and pieces over the span of Wyatt's life, but when these fragments are assembled, a portrait begins to emerge of a well-educated, intelligent and disciplined man. Wyatt stood firm in his belief to the very end and discarded what could have been a comfortable life, perhaps following his father in ambassadorial duties and a comfortable and dignified retirement.This is the first complete edition about Thomas Wyatt the Younger and of the rebellion he led -- which cost the lives of many who followed him -- against the marriage of Queen Mary Tudor and Prince Philip of Spain. The resulting executions totaled into the many hundreds, making it one of England's most violent periods of history.The documents used in this edition are reproduced as near as may be to the way they were originally published (or the way they were originally handwritten). Due to the challenges of evolving standards of grammar, typography and orthography, some inconsistencies are unavoidable. My aim is to enable readers to see how each writer expressed himself or herself, preserving the flavor of Medieval English.