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This text provides an excellent introduction to the poetry of Meleager. His 132 epigrams are encompassed in a little more than 800 lines, allowing a complete reading within a reasonable time. Also included are notes, vocabulary, and proper name and epigram source indices.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.
Book XII of The Greek Anthology, compiled at the court of Hadrian by the poet Strato, contains 258 polished epigrams on the subject of Boy Love'. The short poems, written by such poets as Callimachus, Meleager and Strato himself, are presented in Greek with facing English translation.
Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellenistic period as a sophisticated literary form that evinces the period's aesthetic preference for the miniature, the intricate, and the fragmented. Kathryn Gutzwiller offers the first full-length literary study of these important poems by studying the epigrams within the context of the poetry books in which they were originally collected. Drawing upon ancient sources as well as recent papyrological discoveries, Gutzwiller reconstructs the nature of Hellenistic epigram books and interprets individual poems as if they remained part of their original collections. This approach results in illuminating and original readings of many major poets, and demonstrates that individual epigrammatists were differentiated by gender, ethnicity, class status, and philosophical views. In an important final chapter, Gutzwiller reconstructs much of the poetic structure of Meleager's Garland, an ancient anthology of Hellenistic epigrams.
After Sappho but before the great Latin poets, the most important short poems in the ancient world were Greek epigrams. Beginning with simple expressions engraved on stone, these poems eventually encompassed nearly every theme we now associate with lyric poetry in English. Many of the finest are on love and would later exert a profound influence on Latin love poets and, through them, on all the poetry of Europe and the West. This volume offers a representative selection of the best Greek epigrams in original verse translation. It showcases the poetry of nine poets (including one woman), with many epigrams from the recently discovered Milan papyrus. Gordon L. Fain provides an accessible general introduction describing the emergence of the epigram in Hellenistic Greece, together with short essays on the life and work of each poet and brief explanatory notes for the poems, making this collection an ideal anthology for a wide audience of readers.
Important research in recent decades, along with the publication of P.Mil.Vogl. VIII 309 ('the Milan Posidippus papyrus') in 2001, have reinvigorated the study of Hellenistic epigram. Yet, scholarship on this genre often remains fragmented according to disciplinary sub-specialty and approach: some scholars focus on poets of Meleager’s Garland, others on Philip’s; some on inscriptional epigram, others on literary; each approaching the genre with different motives and questions. In this volume, expert scholars offer those less familiar with the genre an introduction to all aspects of Hellenistic epigram—from models and forms inherited from inscriptional epigram to poetology, sub-genera, epigrammatic intertexts, and ancient and modern reception. Even specialists will find here fresh explorations of epigram, along with new directions for scholarship.