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This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry. A difficult figure to identify, Laurence Minot wrote a set of eleven poems celebrating English victories against the French between 1333 and 1352, soon after the conclusion of said victories. This volume offers students valuable insights into fourteenth-century English poetry and an inimitable English poet's perspective on the Hundred Years' War.
Of Knyghthode and Bataile adapts the most widely used military manual in the Middle Ages into English verse. Responding to both the evolution of warfare and the historical background of his own time, its anonymous poet produced what one critic has called "one of the most brilliant military poems of the fifteenth century."
From England and France to the Low Countries, Wales, Scotland, and Italy, the Hundred Years War (1337-1453) fundamentally shaped late-medieval literature. This volume adopts an expansive focus to reveal the transnational literary consequences of over a century of international conflict. While traditionally seen as an Anglo-French conflict, the Hundred Years War was a multilateral conflict with connections across the continent through alliances and proxy battles. Writers, whether as witnesses, diplomats, or provocateurs, played key roles in shaping the conflict, and the conflict equally impacted the course of literary history. The volume shows how a wide variety of genres and works are deeply engaged with responses to the war, from women’s visionary writing by figures like Catherine of Siena to anonymous lyric poetry, from Christine de Pizan’s Book of the City of Ladies to Geoffrey Chaucer’s Canterbury Tales.
In this book Ben Lowe examines the developing language of peace in late medieval and Renaissance England. He challenges the popular assumption that this was simply an age of war during which ideas of peace exercised very little impact on society and government. He offers a close reading of English writers on peace, integrating this analysis with careful attention to the political context, particularly during times of war, when calls for peace were more vocal. Lowe traces the concept of peace from its early Christian usage up to the sixteenth century. He focuses on the long period of foreign wars (1349&–1560), often punctuated by domestic unrest, when theories of peace were increasingly discussed within the larger context of war and policymaking. Such practical concerns invariably led to a richer and more varied peace discourse. For instance, Lowe is able to show a shift in discussion away from platitudes&—such as the restoration of goodwill among Christians&—toward a more hard-headed set of foreign-policy problems, such as famine, inflation, disruption of trade, and the maintenance of the king's honor. He draws on an extraordinarily wide variety of sources, including theological and philosophical works, sermons, official prayers, moral treatises, commentaries, military handbooks, legal texts, state papers, chronicles, fiction, popular ballads, diaries, and personal letters. Imagining Peace will appeal to others beyond historians of late medieval and early modern England. Lowe applies methods from other disciplines, especially literary and cultural studies and political theory. His analysis takes into account the problems and limitations of reconstructing past thought and determining authorial intent. Nonetheless, the text remains surprisingly free of technical jargon, making this a timely book for anyone interested in the origins of pacifism.
Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period.
The publication of this volume completes the new edition of the sources and major analogues of all the Canterbury Tales prepared by members of the New Chaucer Society. This collection, the first to appear in over half a century, features such additions as a fresh interpretation of Chaucer's sources for the frame of the work, chapters on the sources of the General Prologue and Retractions, and modern English translations of all foreign language texts, with glosses for the Middle English. Chapters on the individual tales contain an updated survey of the present state of scholarship on their source materials. Several sources and analogues discovered during the past fifty years are found here together for the first time, and some other familiar sources are re-edited from manuscripts closer to Chaucer's copies. Besides the General Prologue and the Retractions, this volume includes chapters on the Miller, Summoner, Merchant, Physician, Shipman, Prioress, Sir Thopas, Canon's Yeoman, Manciple, the Knight and the prologues and tales of the Man of Law and Wife of Bath.Contributors: PETER BEIDLER, KENNETH A. BLEETH, LAUREL BROUGHTON, JOANNE CHARBONNEAU, WILLIAM E. COLEMAN, CAROLYN P. COLLETTE, VINCENT DI MARCO, PETER FIELD, TRAUGOTT LAWLER, ANITA OBERMEIER, ROBERT RAYMO, CHRISTINE RICHARDSON-HEY, JOHN SCATTERGOOD, NIGEL S. THOMPSON, EDWARD WHEATLEY, JOHN WITHRINGTON,
This first comprehensive treatment of Arthurian literature in the English language up until the end of the Middle Ages is now available for the first time in paperback. English people think of Arthur as their own – stamped on the landscape in scores of place-names, echoed in the names of princes even today. Yet some would say the English were the historical Arthur’s bitterest enemies and usurpers of his heritage. The process by which Arthurian legends have become an important part of England’s cultural heritage is traced in this book. Previous studies have concentrated on the handful of chivalric romances, which have given the impression that Arthur is a hero of romantic escapism. This study seeks to provide a more comprehensive and insightful look at the English Arthurian legends and how they evolved. It focuses primarily upon the literary aspects of Arthurian legend, but it also makes some important political and social observations.
By showing how Langland transformed Conscience as he composed the A, B and C texts of Piers Plowman, Sarah Wood offers a new approach to reading the serial versions of the poem. While the three versions have customarily been read in parallel-text formats, she demonstrates that Langland's revisions are newly comprehensible if read in sequence.