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This collection of Jonathan Swift’s poetry is separated in three parts, according to their subject matter. The first section are poems addressed to a woman named Stella. Based off a real-life close friend of Swift’s, Esther Johnson, the portion of poetry addressed to Stella contain beautiful tributes to this woman, with simple titles such as Stella’s Birthday March 13, 1727. Though these poems display a tender amount of intimacy shared between the two, Esther Johnson and Jonathan’s relationship is shrouded in mystery, leaving readers and historians to debate if they were just friends or something more romantic. The next section of The Poems of Jonathan Swift are dedicated to a woman called Vanessa, who was based off of one of Swift’s lovers, Esther Vanhomrigh. Their correspondence and his poems about her suggested a more romantic relationship than the one he shared with Stella. With elegant word choice and masterful form, both women and their relationships with Swift are well documented in this book of poems. The final part of The Poems of Jonathan Swift is dedicated to the love of Swift’s career—the satirization of politics. All of Swift’s poems are written in iambic tetrameter and end rhyme, creating a fun and quick reading experience. This is a large collection of poetry covers a wide variety of topics with the humor and satire that Jonathan Swift was famous for. With these attributes, readers are welcome to enjoy Jonathan Swift’s mysterious and passionate relationships as well as his humorous and intelligent criticism of politics. Now presented in an easy-to-read font and with an eye-catching cover design, this edition of The Poems of Jonathan Swift is perfect for a contemporary audience. With the decadent style of classic poetry combined with topics that are both entertaining and relatable, along with this edition’s new features, this classic collection is restored for modern readers.
Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.
Patrick Delany's reputation as a scholar and tutor at Trinity College, Dublin, and an influential preacher in his time, apologist for Church of Ireland causes, and foremost defender of Jonathan Swift against the criticisms and slanders of Lord Orrery is well documented. The purpose of this edition is to establish an authoritative text to show what sort of poet Delany is, why we should read his poems, and to claim for him a position of importance as an eighteenth-century Irish poet.
In Jonathan Swift and the Vested Word, Deborah Wyrick argues that modern Continental and American literary theory is "tantalizingly applicable to Swiftian texts." Its applicability, she writes, "stems from Swift's interest in and exploration of what are now though of as phenomenological, structuralist, poststructuralist, and new historicist concerns: how a life in language comes into being, how semiotic systems determine meaning, how texts open up their own systems to other texts and to multiple interpretations." Wyrick investigates Swift's confrontations with three theories of language current in his day, theories that locate meaning in the thing named, in the idea behind the word, or in the response of the audience. She concludes that Swift fashioned a fourth theory of meaning, one that locates meaning in and among words themselves. Because of his fear of the anarchic potential of language, Swift attempted to invest his words with extratextual authority; yet a powerful counterforce was his desire to exploit the possibilities of language divested of stable significance. These divestitures, particularly the word-play and language games, ultimately served serious personal and social purposes. A crucial personal purpose was Swift's ability to create a textual self, which he did, Wyrick maintains, by constructing defensive transvestitures centered on clothes and money. These parallel sign systems produced Swift's greatest achievement in using the resources of language and history to effect political action. By using the entire Swift canon -- poems and prose narratives, letters and essays, sermons and satires -- Wyrick presents Swift's struggle with the inadequacies of language and its inability to answer the tremendous demands he made upon it. Originally published 1988. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This edition of Jonathan Swift's basic works contains the authoritative texts of all his most important prose writings as well as many shorter pieces, poems, and letter extracts. Included are "Gulliver's Travels, Swift's devastating picture of human nature and human foibles; "A Tale of a Tub, his scathing attack on the intellectual culture and religious excesses of his time; "The Battel of the Books, his defense of the classical tradition; and the unforgettable "Modest Proposal, in which he proposes that the Irish, in order to avoid starvation, eat their children.
This book explicates Jonathan Swift's poetry, reaffirming its prominence in competing literary traditions.