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Alexander Pope (1688–1744) is one of the greatest poets in European literature, comparable to the likes of likes of Shakespeare, Chaucer, Keats and Wordsworth. He is not easy to read though: his poetry uses dense literary and contemporary contextual allusions. This is why a book that gets the readers to the meaning of his poetry as painlessly as possible is so important. This volume features the complete text of Pope’s most significant poem, The Dunciad. The first-rate annotations that accompany this edition of the poem provide information on matters of interpretation and give details of allusions that might prove baffling to the contemporary reader.
Index to The Twickenham Edition of the Poems of Alexander Pope, which has remained the standard edition for more than a generation. This exhaustive index allows easy access to the individual poems and people and places of the period, making this an essential source for anyone studying eighteenth-century literature or eighteenth-century studies.
Handel wrote over 100 cantatas, compositions for voice and instruments decsribing the joy and pain of love. In the first comprehensive study of the cantatas, Harris investigates their place in Handel's life as well as their extraordinary beauty.
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
The most complete and usable edition of Pope's poetry presenting the corpus of his poetry as printed in the Twickenham edition with Pope's own notes and a selection of the annotations in the other volumes of the Twickenham edition.
A splendid presentation of Pope’s poems, excluding only his translations of Homer, this is the only one-volume edition that can lay claim to completeness and accuracy of text. It presents the corpus of Pope’s poetry as printed in the highly praised Twickenham Edition, except for the 1712 version of The Rape of the Lock and other early versions of phrases preserved in the critical apparatus of the six-volume work. Pope’s own notes to his poems are included, as well as a generous selection of the copious annotation in the Twickenham text. This reduced version of the unsurpassed standard edition of Pope will be of great value to all students and teachers of English literature. John Butt, Regius Professor of Rhetoric and English Literature at Edinburgh University, is general editor of the Twickenham Edition. "The publishers are surely right in claiming that 'this should for long remain the standard one-volume edition of Pope's poems.' The Twichenham edition . . . has been a splendid achievement, and Professor Butt's distillation of the long labours of his fellow-editors is most commendable."—Times Literary Supplement.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.