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Text in English & Arabic. Abu Said Abil-Kheyr is revered as one of the fathers of Sufism and the rubaiyat. His philosophy of self annihilation in the path of divine love became popularised by Rumi two centuries later. His understanding of religious faith was different -- nearness and understanding of God is achieved through selflessness and love. The "I" was to be abandoned if closeness to God was to be achieved. Abu Said was born in North Eastern Persia a thousand years ago. He was educated in Islamic scholarship and lived and practised as a Muslim cleric. At a certain point he developed a revolutionary new understanding of being and presented it in the form of poetry. He used, what at first seems, simple love poems as a way to express and illumi-nate mysticism. His philosophy was sustained and propagated in a Sufi centre he founded in Nishapur.
This unique book is the first publication on the art of teaching Persian literature in English, consisting of 18 chapters by prominent early-career, mid-career and established scholars, who generously share their experiences and methodologies in teaching both classical and modern Persian literature across various academic traditions in the world. The volume is divided into three parts: the background to teaching Persian literature: pedagogy, translation and canon, and thematic and topical approaches to the Persian literature class. It includes such topics as the history of teaching Persian literature, the traditional teaching of Persian literature, the political and ideological intentions revealed in the formation of the Persian literature curriculum, the necessity to include marginalized modern Persian literature, such as women’s or diaspora literature, and more applied approaches to curriculum development and teaching. Contributors Manizheh Abdollahi, Samad Alavi, Natalia Chalisova, Cameron Cross, Dick Davis, M. R. Ghanoonparvar, Persis Karim, Sooyong Kim, Daniela Meneghini, Jane Mikkelson, Amir Moosavi, Evgeniya Nikitenko, Austin O’Malley, Farideh Pourgiv, Nasrin Rahimieh, Ali-Asghar Seyed-Gohrab, Pouneh Shabani-Jadidi, Farshad Sonboldel, Claudia Yaghoobi, and Mohammad Jafar Yahaghi.
First Published in 1987, this volume offers a bibliography of biographies, autobiographies and books on contemporary politics by prominent 20th century figures on the topic of Iran.
We all want peace, tranquility and knowledge, but how do we learn it? Who truly knows the answer? Most of the time, we hear beautiful, attractive promises and words from different individuals claiming they can show us the path to peace, tranquility and knowledge. However, we seldom see any true results. Yet, if we really seek it wholly and look closely and patiently, the wise have provided us with the clues, so that we may need to discover the right path to begin learning.
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination is a twelve-book series of which this book is the third volume, subtitled Khayyami Astronomy: How Omar Khayyam’s Newly Discovered True Birth Date Horoscope Reveals the Origins of His Pen Name and Independently Confirms His Authorship of the Robaiyat. Each book is independently readable, although it will be best understood as a part of the whole series. In the overall series, the transdisciplinary sociologist Mohammad H. Tamdgidi shares the results of his decades-long research on Omar Khayyam, the enigmatic 11th/12th centuries Persian Muslim sage, philosopher, astronomer, mathematician, physician, writer, and poet from Neyshabour, Iran, whose life and works still remain behind a veil of deep mystery. Tamdgidi’s purpose has been to find definitive answers to the many puzzles still surrounding Khayyam, especially regarding the existence, nature, and purpose of the Robaiyat in his life and works. To explore the questions posed, he advances a new hermeneutic method of textual analysis, informed by what he calls the quantum sociological imagination, to gather and study all the attributed philosophical, religious, scientific, and literary writings of Khayyam. Omar Khayyam’s true birth date horoscope, as newly discovered in this series, is comprised of a dazzling number of Air Triplicities sharing a vertex on a Sun-Mercury Cazimi point on the same Ascendant degree 18 of Gemini. Among other features, his Venus, Sextile with Moon, also plays a lifelong, secretively creative role to intentionally balance his chart. These features would not have escaped the attention of Omar Khayyam, a master astronomer and expert in matters astrological, no matter how much he embraced, doubted, or rejected astrological interpretations. In this third book of the series, conducting an in-depth hermeneutic analysis of Khayyam’s horoscope, Tamdgidi reports having discovered the origins of Khayyam’s pen name in his horoscope. The long-held myth that “Khayyam” was a parental name, even if true, in no way takes away from the new finding; it only adds to its intrigue. Tamdgidi’s hermeneutic analysis of Khayyam’s horoscope in intersection with extant Khayyami Robaiyat also leads him to discover an entirely neglected signature quatrain that he proves could not be from anyone but Khayyam, one that provides a reliably independent confirmation of his authorship of the Robaiyat. He also shows how another neglected quatrain reporting its poet to have aged to a hundred is from Khayyam. This means all the extant Khayyami quatrains are now in need of hermeneutic reevaluation. Tamdgidi’s further study of a sample of fifty Khayyami Robaiyat leads him to conclude that their poet definitively intended the poems to remain in veil, that they were considered to be a collection of interrelated quatrains and not sporadic separate quatrains written marginally in pastime, that they were meant to offer a life’s intellectual journey as in a “book of life,” that the poems’ critically nuanced engagement with astrology was not incidental but essential throughout the collection, and that, judging from the signature quatrain discovered, 1000 quatrains were intended to comprise the collection. Oddly it appears that, after all, “The Khayyam who stitched his tents of wisdom” was a trope that had its origins in Omar Khayyam’s horoscope heavens. CONTENTS About OKCIR—i Published to Date in the Series—ii About this Book—iv About the Author—viii Notes on Transliteration—xvii Acknowledgments—xix Preface to Book 3: Recap from Prior Books of the Series—1 Introduction to Book 3: The Hermeneutic Significance of Omar Khayyam’s Newly Discovered True Birth Date Horoscope—21 CHAPTER I—Was Omar Khayyam’s Birth Horoscope Intended Just to Offer a Birth Date or Was It an Astrological Bread Crumb?—31 CHAPTER II—Considering Both the Stated and the Silent Features of Omar Khayyam’s True Birth Date Horoscope—53 CHAPTER III—Features of Omar Khayyam’s Horoscope as a Whole Based on Astrological House and Other Definitions Traditionally Held in His Own Time—89 CHAPTER IV— Hermeneutically Interpreting Omar Khayyam’s Horoscope as a Whole: Discovering the Origins of His Pen Name—131 CHAPTER V—Discovering the Signature Robai of Omar Khayyam, Leading to An Independent and Final Confirmation of His Authorship of the Robaiyat—177 CHAPTER VI—The Case of A Second Signature Robai of Omar Khayyam, Reporting Its Author to Have Turned A Centenarian—215 CHAPTER VII—Tentatively Intersecting the Findings with a Few More Khayyami Quatrains—251 CHAPTER VIII— Khayyami Astronomy and the ‘Khayyami Code’: Hermeneutically Understanding Omar Khayyam’s Attitude Toward Astrology and His Own Horoscope—297 Conclusion to Book 3: Summary of Findings—317 Appendix: Transliteration System and Book 3 Glossary—337 Book 3 Cumulative Glossary of Transliterations—350 Book 3 References—357 Book 3 Index—361
For over a hundred years, The Columbia Granger's Index to Poetry in Anthologies has been the preeminent index for answers to questions about the world of poetry, identifying the author of a poem or the anthologies in which it can be found when only a title, first line, or last line is known. This latest edition-a "must have" for libraries-brings its index up to date as of May 31, 2006. This latest version features 85,000 classic and contemporary poems by 12,000 poets. Also included are works in translation and for the first time poetry in Spanish, Vietnamese, and French. The subject organization of the poems is especially useful. Hundreds of new subjects have been added, indexing poems on highly relevant topics such as Osama bin Laden, the war in Iraq, Dick Cheney, the Internet, and Rosa Parks, as well as timeless subjects like the Bill of Rights, unspoken love, faith, and inspiration. Our impressive team of consultants includes J. D. McClatchy, Harvey Shapiro, and former poet laureate Mark Strand. From The Norton Anthology of Poetry (2005 edition) to Poetry after 9/11 and Garrison Keillor's Good Poems, this new edition puts readers in touch with the best of the latest anthologies and the lasting favorites.
Abu Nuwas, the pre-eminent bacchic bard of the classical Arabic canon, was loved and reviled in equal measure for his lyrical celebration of Abbasid Baghdad's dissolute nightlife, his cutting satires of religion and the clergy, and the extraordinary range and virtuosity of his literary talent. Vintage Humour contains approximately 120 translations, each replicating the monorhyme scheme of the originals, with commentary where appropriate, a brief history of the poet's life and times, and a glossary of the key themes, motifs, and running jokes of the poems themselves. Based on extensive research with both Arabic and English source materials, Vintage Humour is an illuminating collection, of interest to both general and informed readers with an interest in Islamic studies, Arabic literature, and the history of Iraq and the Middle East.