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THE POEMS OF A DEAD METAPHYSICIAN will injure a reader with the meanings of a mosaic murder, of a crucified dithyramb, of denomination, of a bog that can only be found in a cryptic system of molten, psychological forethought, something which will force a fomentation of idiosyncrasy and simulacrum to terminate, where madness can stand as a pedigree and interpose the like of a witch... of an intonation whose intellectual management leads one to huddle with the icy ideas of a holocaust-house, of an infinity of future forms whose only purpose is to cause the assassination of an asylum and to build a system of what is an institutionalized position of griffin-like creatures: all of whom will serve as the domestic mentors of the futilitarian days to come.
Religious and atheistic belief are presented anew in a volume of essays from leading phenomenologists in both France and the UK. Atheism, often presented as the negation of religious belief, is here engaged with from a phenomenologically informed notion of experience. The focus on experience, sparks new debates in readings of belief, faith and atheism as they relate to and complicate each other. What unites the contributors is their relationship to phenomenology as it has developed in France in the wake of Heidegger and Husserl. Leading French intellectuals from this context, Jean-Luc Nancy, Quentin Meillassoux, and Catherine Malabou, amongst others, contribute arresting ideas on atheistic faith, the death of God, and anarchic faith, opening up new areas of understanding in a field whose parameters and core concepts are ever shifting. Revealing the extent to which religious and atheistic belief must be seen to influence, and on a fundamental level, to co-create one another, the pluralistic society in which religious belief is counted as one option amongst many is given primacy. The fact that religious faith has become not only optional but also, in many contexts, strangely alienated from society, deeply modifies the experience of the believer as much as that of the non-believer. A focus on 'experience', over and above 'belief', moves us towards a mode of experiential knowledge which refuses to privilege the atheistic believer and deride the reality of religious belief.
This collection is the final volume of a four book survey of the state of phenomenology fifty years after the death of Edmund Husserl. Its publication represents a landmark in the comprehensive treatment of contemporary phenomenology in all its vastness and richness. The diversity of the issues raised here is dazzling, but the main themes of Husserl's thought are all either explicitly treated, or else they underlie the ingenious approaches found here. Time, historicity, intentionality, eidos, meaning, possibility/reality, and teleology are the main concerns of this collection devoted to studies in aesthetics, metaphysics and literary interpretation, written by such authors as, among others, R. Cobb-Stevens, C. Moreno Marquez, J. Swiecimski, Sitansu Ray and M. Kronegger. These original studies of phenomenological aesthetics and literary theory by scholars from all parts of the world were gathered by the World Institute for Advanced Phenomenological Research and Learn ing during the year 1988/89 during its assessment of the phenomeno logical movement, fifty years after Husserl's death. IX A -T. Tymieniecka (ed.), Analecta Husserliana, Vol. XXXVII, ix.
This book offers a critical edition of arguably the greatest work of English theology in the 20th century: Austin Farrer's Bampton Lectures published as The Glass of Vision in 1948. Farrer was an interdisciplinary genius who made original contributions to philosophy, theology, and biblical studies, as well as to our understanding of the role of imagination in human thought and Christian doctrine. According to Farrer, the three primary themes of these lectures are 'scripture, metaphysics, and poetry,' individually and in relation to each other. The lectures defend his famous theory of divine revelation through images rather than propositions or events, a provocative account of the place of metaphysical reasoning in theology, and a literary approach to the Biblical text that was decades ahead of its time and is still controversial. The Glass of Vision has generated a rich and interesting interdisciplinary conversation that has lasted for decades, starting with commentators such as Helen Gardner and Frank Kermode. In addition to Farrer's full text, this critical edition also contains an introduction to the significance and context of Farrer's thought, and a selection of thirty-years' worth of commentary by leading British and European theologians and literary scholars: David Brown, Ingolf Dalferth, Hans Haugh, Douglas Hedley, David Jasper, and Gerard Loughlin. Of interest to literary and biblical scholars, theologians, and philosophers, this book holds particular value for those exploring the nature of imagination in contemporary thought and scholarship.
The author presents a wide-ranging account of the evolution of ideas of love from the twelfth to the seventeenth century.
A key anthology for students of English literature, Metaphysical Poetry is a collection whose unique philosophical insights are some of the crowning achievements of Renaissance verse, edited with an introduction and notes by Colin Burrow in Penguin Classics. Spanning the Elizabethan age to the Restoration and beyond, Metaphysical poetry sought to describe a time of startling progress, scientific discovery, unrivalled exploration and deep religious uncertainty. This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot. In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading. Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History. If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.
As the third part of a philosophy of Christian life, A Metaphysics of Love builds on a view of Christian life as shaped by the dynamic of call, response, and promise. It argues that love is the ultimate content of this dynamic and considers how far this claim extends. Taking its bearings from Dante's vision of divine love as 'the power that moves the sun and other stars', this study explores the requirement that love is both human and cosmic, uniting being and beings. Cognizant of much recent philosophy's desire to overcome or move beyond a metaphysics of being, it examines some of the formal structures that make love possible, including language, time, social being, forgiveness, and ultimacy. Following on from the earlier volumes, extensive use is made of the idea of the poetic as the eminent mode of Christian witness, contextualized within the prose of everyday life. Heidegger provides fundamental philosophical orientation, whilst key features of love are brought to the fore through dialogue with Kierkegaard. Dante and Dostoevsky are frequent points of reference, in addition to a range of literary and religious sources, including the Scottish poet Edwin Muir. Leading scholar George Pattison concludes that the phenomenon of love requires us to articulate a metaphysics that involves both being and nothingness, thereby taking a critical position vis-à-vis both classical theism and existential atheism.
In this pathbreaking book, which includes a powerful new translation of Hesiod's Works and Days by esteemed translator David Grene, Stephanie Nelson argues that a society's vision of farming contains deep indications about its view of the human place within nature, and our relationship to the divine. She contends that both Hesiod in the Works and Days and Vergil in the Georgics saw farming in this way, and so wrote their poems not only about farming itself, but also about its deeper ethical and religious implications. Hesiod, Nelson argues, saw farming as revealing that man must live by the sweat of his brow, and that good, for human beings, must always be accompanied by hardship. Within this vision justice, competition, cooperation, and the need for labor take their place alongside the uncertainties of the seasons and even of particular lucky and unlucky days to form a meaningful whole within which human life is an integral part. Vergil, Nelson argues, deliberately modeled his poem upon the Works and Days, and did so in order to reveal that his is a very different vision. Hesiod saw the hardship in farming; Vergil sees its violence as well. Farming is for him both our life within nature, and also our battle against her. Against the background of Hesiods poem, which found a single meaning for human life, Vergil thus creates a split vision and suggests that human beings may be radically alienated from both nature and the divine. Nelson argues that both the Georgics and the Works and Days have been misread because scholars have not seen the importance of the connection between the two poems, and because they have not seen that farming is the true concern of both, farming in its deepest and most profoundly unsettling sense.
John Milton, Thomas Carew, Sir William Davenant, Henry Vaughan, Andrew Marvell, George Herbert, Sir Walter Ralegh, Robert Southwell, John Donne, Richard Crashaw form part of the 17th century poets who became known as metaphysical. In this anthology Dame Helen Gardner has collected together those poets who although never self consciously a school, did possess in common certain features of argument and powerful persuasion.