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"Their verse . . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New Yorker Identical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare. "Lucky in Kansas" Judy Garland: This is always the worst part Tin Man: The coming back Judy Garland: Yes, it fucking sucks, it's depressing as shit The Lion: Well, we're lucky to still be employed at this farm Straw Man: I wouldn't call it lucky The Lion: We were lucky to get back Straw Man: That's not really lucky either I don't think you know what lucky means Judy Garland: It's funny what you miss Tin Man: The running Judy Garland: The flying Tin Man: The flying monkeys Judy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green world Michael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.
Exploring the Language of Poems, Plays and Prose examines how readers interact with literary works, how they understand and are moved by them. Mick Short considers how meanings and effects are generated in the three major literary genres, carying out stylistic analysis of poetry, drama and prose fiction in turn. He analyses a wide range of extracts from English literature, adopting an accessible approach to the analysis of literary texts which can be applied easily to other texts in English and in other languages.
This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.
This volume of the collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including 'Letters: Poems 1953-1956'.
A comprehensive edition of one of America's greatest poets, this collection draws from her four published volumes, together with 50 uncollected works and translations of Octavio Paz, Max Jacob and others.
Presents a series of poems which pay tribute to the limitless worlds available through books, as characters plead for sequels, strut fancy jackets, and have a raucous party in the aisles after a bookstore closes for the night.
The complete plays of Shakespeare are often considered among the greatest works in all of English literature. Replete with great characters, from the portly and funny Falstaff to the hesitative and obsessive Hamlet, the plays present us with the entire gamut of human personality. They give us an unparalleled look at love and humour, death and tragedy, history and magic. These plays represent the peak of genius and art from the English language's greatest writer.
Terese Svoboda's eighth book of poetry, "Theatrix: Poetry Plays," is all about play, and no pun is too low to interrogate the reader's Fourth Wall. Voices and not voice amplify the anxious voyeur's Theatrix experience. Touching on HBO's Chernobyl series, democracy in the Sudan, the patter of a comedienne, Mom, a little Shakespeare, the performative qualities of a Title IX hearing, Emma Goldman's corpse, the Supreme Court hearing of Brett Kavanaugh, the murder of the prostitute Helen Jewett, Covid-19 (of course), the actual house of Usher, WWII schipperkes, and the 1980s phenomenon of atria, Theatrix goads the meta-theatrical into an explosion of poetry.