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This book is a defense of modal realism; the thesis that our world is but one of a plurality of worlds, and that the individuals that inhabit our world are only a few out of all the inhabitants of all the worlds. Lewis argues that the philosophical utility of modal realism is a good reason for believing that it is true.
Challenging the thesis that there is only one world, the author builds on Immanuel Kant's notion of metaphysical inversion to develop his idea that a world is the sum total of what exists in a particular time. In arguing that there are many representing beings, actual worlds, and truths, the author addresses ontological questions raised by Protagoras, Plato, and numerous contemporary philosophers. He concludes that there is no social and political reality independent of perspective. Annotation copyrighted by Book News, Inc., Portland, OR
Robert Stalnaker draws together in this volume the extent of his work in metaphysics. The central theme is the role of possible worlds in articulating our various metaphysical commitments. The essays presented reflect on the nature of metaphysics, with two of the essays featured being published for the first time.
The book offers coherent theoretical treatment of the conceptions of “World Literature” and “Comparative Literature”, in parallel with their practical application to the research of different literary phenomena (Renaissance and Baroque creativity, literary canons, philosophy of translation, etc.), especially, as viewed from the point of view of the “other”—“peripheral” (minor, minority) national(-linguistic) cultures. Envisaging womankind’s historical liberation and a budding “comparative world sensibility” has been seen as one of the greatest merits of European “creative humanists”. To explain the deep sources of creativity and image authenticity, the notions of the (aesthetic) “infra-other” and (philosophical) “transgeniality” have been introduced. The proposed aim would be to transcend monologues of ideological-cultural “centres”, as well as formalistic and sociological trends in cultural and literary research and teaching. The book advocates a plurality of creative dialogues and a mutually enriching symbiotic relationship between “centres” and “peripheries”.
The Plurality of Realities contains four texts by Leon Chwistek that deal with his original philosophical conception called the theory of plurality of realities. This collection is essential not only for understanding the full-fledged version of Chwistek's conception but also for surveying its development over a span of five years (1916-1921). Reading these essays in chronological order allows us to notice all stages of its development, beginning with its first sketches, drawn in the book Meaning and Reality, where only two realities are considered, and finishing with Chwistek's most famous essay, The Plurality of Realities, in which he discusses four different realities: the reality of things, the reality of physics, the reality of impressions, and the reality of imaginations. The collection is preceded by two introductory essays by Karol Chrobak. The first presents Leon Chwistek against the background of the intellectual, cultural, and political life of the interwar period in Poland. The second focuses on Chwistek's conception of the plurality of realities and gives a critical account of its most widespread interpretations.