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The Dakini Codex is a compilation of poetry that describes ancient and esoteric truths, hidden mysteries, and deeply spiritual and metaphysical subjects placed into simplistic forms. It is much like a zip drive that compresses information. Through the processes of a spiritual awakening, the book takes the reader through a journey of consciousness. It includes work that was compiled as an adolescent describing aspects of life that touches the wisdom of the ages. It provides snapshots of visuals through words to describe picturesque scenes. It resorts to sonnets of love that determined kings in Sumerian ages. It is written from the lineage of the lotus-born masters and ties in with the genealogy of Mary Magdalene and Isis. It is reminiscent of ancient technologies and creation aspects. This is written as a gift to mankind and to the evolutionary and creative forms of enlightenment and spiritual complexes.
This book contributes to the study of a major trend in Modern Hebrew literature, the prophetic mode and the image of the poet as a prophet-hero and artist, following the Romantic and the Symbolist movements in Europe and unique Jewish history in ancient and modern times.
Paper is older than the printing press, and even in its unprinted state it was the great network medium behind the emergence of modern civilization. In the shape of bills, banknotes and accounting books it was indispensible to the economy. As forms and files it was essential to bureaucracy. As letters it became the setting for the invention of the modern soul, and as newsprint it became a stage for politics. In this brilliant new book Lothar Müller describes how paper made its way from China through the Arab world to Europe, where it permeated everyday life in a variety of formats from the thirteenth century onwards, and how the paper technology revolution of the nineteenth century paved the way for the creation of the modern daily press. His key witnesses are the works of Rabelais and Grimmelshausen, Balzac and Herman Melville, James Joyce and Paul Valéry. Müller writes not only about books, however: he also writes about pamphlets, playing cards, papercutting and legal pads. We think we understand the ?Gutenberg era?, but we can understand it better when we explore the world that underpinned it: the paper age. Today, with the proliferation of digital devices, paper may seem to be a residue of the past, but Müller shows that the humble technology of paper is in many ways the most fundamental medium of the modern world.