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The play examines the powerful force of political idealism and the lives of those swept up in its tide. It is the final play in Sean O'Casey's Dublin trilogy.
Elucidates and argues for the author's concept of human history from the past to the present.
"The Plough Woman reveals a fascinating chapter in the history of pioneer Palestine. First published in 1932 ... this ... edition throws light on the complex arena of Palestine and Zionism as well as the intersection between the early Jewish nationalist movement and radical feminists at the turn of the 19th and 20h centuries. The voices, prose, memoirs, and literature of young Zionist women who emigrated to Palestine in these decades offer an intimate look at life on a veritable frontier. Memoirists discuss tensions in communal living, unsentimentally disclosing the hardships of working and raising families in underserved and isolated agricultural colonies. But as their narratives indicate, these pioneer women were keenly motivated by the vision of a creating a future Jewish homeland, an egalitarian society that would foster and celebrate individual growth, sustain family life, and provide a secure future for all"--From publisher's description (a later edition).
Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home. Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act. David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism. Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.
Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural constructions of the human body and their influence on nationalist rhetoric, linking the production and reception of the plays to conversations about public health, popular culture, economic policy, and racial identity that were taking place inside and outside the nationalist community. The book is both a crucial intervention in Irish studies and an important contribution to the ongoing feminist project of theorizing the production of gender and the body.
This is the first environmental history of Russia's steppes. David Moon focuses on the settlement of migrants from central Russia, Ukraine, and central Europe, and analyses how naturalists and scientists came to understand the steppe environment, including the origins of the fertile black earth.
Charlie Fox has a terrific vehicle for a hot male movie star, and he has brought it to his friend Bobby Gould, head of production for a major film company. Both see the script as a ticket to the really big table where the power is. The star wants to do it; all they have to do is pitch it to their boss in the morning. Meanwhile, Bobby bets Charlie that he can seduce the secretary temp. As a ruse, he has given her a novel "by some Eastern sissy writer" that he is supposed to read before saying "thanks but no thanks." She is determined that the novel, not the trite vehicle, should be the company's next project. When she does sleep with Bobby, he finds the experience is so transmogrifying that Charlie must plead with Bobby not to pitch the sissy film. - Publisher's note.
Now a wealthy young widow, former peasant girl Siana Forbes has overcome her humble beginnings to become mistress of Cheverton Manor, the handsome estate which her infant son Ashley will one day inherit. She is at last beginning to recover from her grief at the death of her husband, the powerful and sensual squire, Edward Forbes, and when the man she truly loves, village doctor Francis Matheson, asks for her hand in marriage, it seems as though Siana can dare to be happy again. But it cannot last. The death of his brother means that Francis must undertake a perilous voyage to Van Dieman's Lane off the coast of Australia - a land where danger and hardship await. Left to raise a growing family, Siana faces trouble on the home front too, when a sinister figure from her past re-emerges, determined to cause havoc. And a terrible ordeal suffered by Siana's stepdaughter, Maryse, on the night of the harvest supper means that Siana is faced with a heartbreaking choice. Will she be able to overcome the odds stacked against her, keep her troubled family together - and can she dare to hope that her beloved Francis will ever return to her?
One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as Yeats, MacNeice, Joyce and Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history.