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Paul Levinson's astonishing new SF novel is a surprise and a delight: In the year 2042, Sierra, a young graduate student in Classics is shown a new dialog of Socrates, recently discovered, in which a time traveler tries to argue that Socrates might escape death by travel to the future! Thomas, the elderly scholar who has shown her the document, disappears, and Sierra immediately begins to track down the provenance of the manuscript with the help of her classical scholar boyfriend, Max. The trail leads her to time machines in a gentlemen's club in London and in New York, and into the past--and to a time traveler from her future, posing as Heron of Alexandria in 150 AD. Complications, mysteries, travels, and time loops proliferate as Sierra tries to discern who is planning to save the greatest philosopher in human history. Fascinating historical characters from Alcibiades (of the honeyed thighs) to Thomas Appleton, the great nineteenth-century American publisher, to Socrates himself appear. With surprises in every chapter, Paul Levinson has outdone himself in The Plot to Save Socrates.
Paul Levinsons astonishing new SF novel is a surprise and a delight: In the year 2042, Sierra, a young graduate student in Classics, is shown a new dialogue of Socrates, recently discovered, in which a time traveler tries to argue that Socrates might escape death by travel to the future! Thomas, the elderly scholar who showed her the document, disappears, and Sierra immediately begins to track down the provenance of the manuscript with the help of her classical scholar boyfriend, Max. The trail leads her to time machines in gentlemens clubs in London and in New York, and into the pastand to a time traveler from her future, posing as Heron of Alexandria in 150 ad. Complications, mysteries, travels, and time loops proliferate as Sierra tries to discern who is planning to save the greatest philosopher in human history. Fascinating historical characters, from Alcibiades (of the honeyed thighs) to Thomas Appleton, the great nineteenth-century American publisher, to Socrates himself appear. With surprises in every chapter, Paul Levinson has outdone himself in The Plot to Save Socrates.
Socrates, son of Sophroniscus, of Alopece is arguably the most richly and diversely commemorated - and appropriated - of all ancient thinkers. Already in Antiquity, vigorous controversy over his significance and value ensured a wide range of conflicting representations. He then became available to the medieval, renaissance and modern worlds in a provocative variety of roles: as paradigmatic philosopher and representative (for good or ill) of ancient philosophical culture in general; as practitioner of a distinctive philosophical method, and a distinctive philosophical lifestyle; as the ostensible originator of startling doctrines about politics and sex; as martyr (the victim of the most extreme of all miscarriages of justice); as possessor of an extraordinary, and extraordinarily significant physical appearance; and as the archetype of the hen-pecked intellectual. To this day, he continues to be the most readily recognized of ancient philosophers, as much in popular as in academic culture. This volume, along with its companion, Socrates from Antiquity to the Enlightenment, aims to do full justice to the source material (philosophical, literary, artistic, political), and to the range of interpretative issues it raises. It opens with an Introduction summarizing the reception of Socrates up to 1800, and describing scholarly study since then. This is followed by sections on the hugely influential Socrateses of Hegel, Kirkegaard and Nietzsche; representations of Socrates (particularly his erotic teaching) principally inspired by Plato's Symposium; and political manipulations of Socratic material, especially in the 20th century. A distinctive feature is the inclusion of Cold War Socrateses, both capitalist and communist.
It is proposed that extraterrestrials left their thumbprint in our physics. A message is found embedded in our physics as well and it may indicate we are here for a reason. Where the message comes from is calculated and it turns out to be in the same region of space as the SETI Wow Signal.
Ancient Greece and Rome in Modern Science Fiction introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader’s understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters – structured by medium – principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature and culture. An abundance of case studies from literature, film and television and videogames including Star Trek, Battlestar Galactica, Fallout: New Vegas, the Mass Effect franchise and Assassin’s Creed show how classical antiquity is reused, encountered, re-encountered by creators and consumers of the present – how we bounce off it, and it bounces off us, and how this reciprocation creates new visions of Greece and of Rome.
Gypsy Shamanism leads to the notion the extraterrestrials had an influence on the development of our sciences. A possible message embedded in our physics is decoded. It is calculated to be from the same place in space as the SETI Wow! Signal. It is suggested we make a computer program called Discover and and is suggested we invent a new system of units. It seems we are here for a reason.
Learning in the Age of Digital Reason contains 16 in-depth dialogues between Petar Jandrić and leading scholars and practitioners in diverse fields of history, philosophy, media theory, education, practice, activism, and arts. The book creates a postdisciplinary snapshot of our reality, and the ways we experience that reality, at the moment here and now. It historicises our current views to human learning, and experiments with collective knowledge making and the relationships between theory and practice. It stands firmly at the side of the weak and the oppressed, and aims at critical emancipation. Learning in the Age of Digital Reason is playful and serious. It addresses important issues of our times and avoids the omnipresent (academic) sin of pretentiousness, thus making an important statement: research and education can be sexy. Interlocutors presented in the book (in order of appearance): Larry Cuban, Andrew Feenberg, Michael Adrian Peters, Fred Turner, Richard Barbrook, McKenzie Wark, Henry Giroux, Peter McLaren, Siân Bayne, Howard Rheingold, Astra Taylor, Marcell Mars, Tomislav Medak, Ana Kuzmanić, Paul Levinson, Kathy Rae Huffman, Ana Peraica, Dmitry Vilensky (Chto Delat?), Christine Sinclair, and Hamish Mcleod.
"I grew up on a cotton farm in north-eastern Alabama where three generations of Jeffersons and Ashbys considered the land their own. I was young enough to believe that, although there was a wrinkled, paper deed to the farm in an old drawer somewhere, the fact that the Jeffersons were Negro and the Ashbys were white did not impact the entwining of our families or the yield of rows of cotton planted to the horizon. A day came, however, when the story of how I came to inherit the name of a Greek philosopher-who lived his life questioning others-pulled us out of the shadows of ignorance and into the harsh light of truth." Socrates Bravo Jefferson, a young Negro scholar in 1928 Alabama, dreads leaving his family to attend college preparatory school. Through a particularly arduous cotton season in which ownership of their farm hangs in the balance, Socrates's family struggles to keep their land, while a Farm Bureau agent, a depraved Northern outsider, and a drove of wild hogs threaten to destroy them, the farm's pickers, and the way they have lived for the last hundred years.Socrates despairs that all is lost. But, when a painful story from the farm's past brings the families together, the magic of baseball played under the lights, a plot of vibrant dahlias protected by parasols, and a loved one's calculated sacrifice all lead to new beginnings for the individuals in How Socrates Bravo Got His Name.