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Part history, part bone-rattling suspense, this work tells the forgotten story of two of the most dangerous years in the life of legendary diarist Samuel Pepys, who, in 1679, was charged with treason and imprisoned in the Tower of London.
It is 1679 and England is awash with suspicion. Fear of conspiracy and religious terrorism has provoked panic in politicians and a zealous reaction from the legal system. Everywhere - or so it is feared - Catholic agents are plotting to overthrow the king. Now Samuel Pepys, Secretary of the Admiralty, finds himself in a position few people then or now would have expected - charged with treason. Imprisoned in the Tower of London and abandoned by the embattled king, Pepys knows that time is running out before his show trial and execution. So, with customary brilliance, he sets to work investigating his mysterious accuser, Colonel John Scott, and uncovers a life riddled with ambition, forgery, treason and - ultimately - murder. Using rare access to Pepys' own account of the affair, James Long and Ben Long brilliantly evoke a turbulent period in England's history - and tell the forgotten story of the two most dangerous years in the life of the legendary diarist.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy. 'Laced with emotional intensity and drama, Pleasing Mr Pepys . . . (has) an intricate plot that features red herrings, unexpected twists, and surprises that will take readers on a very delightful ride' Readers' Favorite 'Deb Willet, Elizabeth Pepys's maid and the object of Samuel Pepys's attentions, is finally given centre-stage after 350 years, and her tale was worth waiting for. This is exceptional story-telling' L. C. TYLER From acclaimed historical novelist Deborah Swift, Pleasing Mr Pepys is the story of diarist Samuel Pepys' London, vibrantly told through the eyes of his maid. .................................................. Deb Willet is desperate to escape her domineering aunt and takes a position as companion to Elisabeth Pepys, Samuel's wife. Deb believes it will give her the respectability and freedom she craves - but it proves far more complicated than she could ever have imagined. London is still in ruins from the Great Fire. Although Charles II has been restored to the throne, there is the prospect of war with the Dutch - the world's great sea power of the era. In the midst of this tumult strides Samuel Pepys, diarist and man of note. Pepys' influence in Restoration London means that the Dutch are keen to get their hands on his secrets - even if that means murder, espionage and blackmail to get them. Deb is soon caught up in a web of deception and double-dealing. And with Mr Pepys' attentions turned towards her, there's a lot more than treason at stake... Selling other people's secrets is a dangerous game... .................................................. Readers can't get enough of Deborah's VIBRANT and IMMERSIVE tales: 'Deborah Swift has produced a remarkable work of historical fiction . . . Swift spins an excellent tale. The characters, too are just fabulous and utterly believable' ⭐ ⭐ ⭐ ⭐ ⭐ 'Having read all Deborah Swift's novels, this is her usual, beautifully atmospheric rendition of an interesting time in 17th century England' ⭐ ⭐ ⭐ ⭐ ⭐ 'What an excellent novel! Superb story telling . . . I highly recommend Pleasing Mr Pepys and very much look forward to a sequel' ⭐ ⭐ ⭐ ⭐ ⭐ 'This book is an exciting thriller, a real page turner. I read it in a couple of days I was so absorbed in the development of the plot . . . Go out and buy it' ⭐ ⭐ ⭐ ⭐ ⭐ Don't miss Deborah Swift's other enthralling tales of Samuel Pepys - A Plague of Mr Pepys and Entertaining Mr Pepys - OUT NOW!
When August Frugé joined the University of California Press in 1944, it was part of the University's printing department, publishing a modest number of books a year, mainly monographs by UC faculty members. When he retired as director 32 years later, the Press had been transformed into one of the largest, most distinguished university presses in the country, publishing more than 150 books annually in fields ranging from ancient history to contemporary film criticism, by notable authors from all over the world. August Frugé's memoir provides an exciting intellectual and topical story of the building of this great press. Along the way, it recalls battles for independence from the University administration, the Press's distinctive early style of book design, and many of the authors and staff who helped shape the Press in its formative years.
The captivity narrative has always been a literary genre associated with America. Joe Snader argues, however, that captivity narratives emerged much earlier in Britain, coinciding with European colonial expansion, the development of anthropology, and the rise of liberal political thought. Stories of Europeans held captive in the Middle East, America, Africa, and Southeast Asia appeared in the British press from the late sixteenth through the late eighteenth centuries, and captivity narratives were frequently featured during the early development of the novel. Until the mid-eighteenth century, British examples of the genre outpaced their American cousins in length, frequency of publication, attention to anthropological detail, and subjective complexity. Using both new and canonical texts, Snader shows that foreign captivity was a favorite topic in eighteenth-century Britain. An adaptable and expansive genre, these narratives used set plots and stereotypes originating in Mediterranean power struggles and relocated in a variety of settings, particularly eastern lands. The narratives' rhetorical strategies and cultural assumptions often grew out of centuries of religious strife and coincided with Europe's early modern military ascendancy. Caught Between Worlds presents a broad, rich, and flexible definition of the captivity narrative, placing the American strain in its proper place within the tradition as a whole. Snader, having assembled the first bibliography of British captivity narratives, analyzes both factual texts and a large body of fictional works, revealing the ways they helped define British identity and challenged Britons to rethink the place of their nation in the larger world.
The latest comic novel from Christopher Buckley, in which a hapless Englishman embarks on a dangerous mission to the New World in pursuit of two judges who helped murder a king. London, 1664. Twenty years after the English revolution, the monarchy has been restored and Charles II sits on the throne. The men who conspired to kill his father are either dead or disappeared. Baltasar “Balty” St. Michel is twenty-four and has no skills and no employment. He gets by on handouts from his brother-in-law Samuel Pepys, an officer in the king’s navy. Fed up with his needy relative, Pepys offers Balty a job in the New World. He is to track down two missing judges who were responsible for the execution of the last king, Charles I. When Balty’s ship arrives in Boston, he finds a strange country filled with fundamentalist Puritans, saintly Quakers, warring tribes of Indians, and rogues of every stripe. Helped by a man named Huncks, an agent of the Crown with a mysterious past, Balty travels colonial America in search of the missing judges. Meanwhile, on the other side of the Atlantic, Samuel Pepys prepares for a war with the Dutch that fears England has no chance of winning. Christopher Buckley’s enchanting new novel spins adventure, comedy, political intrigue, and romance against a historical backdrop with real-life characters like Charles II, John Winthrop, and Peter Stuyvesant. Buckley’s wit is as sharp as ever as he takes readers to seventeenth-century London and New England. We visit the bawdy court of Charles II, Boston under the strict Puritan rule, and New Amsterdam back when Manhattan was a half-wild outpost on the edge of an unmapped continent. The Judge Hunter is a smart and swiftly plotted novel that transports readers to a new world.
Giuseppe Campani, “Inventor Romae,” an Uncommon Genius offers an account of the life and creations of the most talented maker of optic lenses, silent clocks and projector clocks of the second half of the seventeenth century but also provides you with unique insights into the scientific and technological landscape of baroque Rome and its links to a broader European scene.