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To an unusual degree among writers, playwrights’ creations are not simply words on a page. Instead, a well-wrought play is an intricate machine that will be used by directors, actors, designers, and other creators to bring a fully staged, real-time performance into the world. The construction and maintenance of that machine is the playwright’s job, and it requires an array of complex, interconnected skills and techniques. Enter Justin Maxwell and The Playwright’s Toolbox, a stimulating and wide-ranging resource for both beginning and experienced dramatists. It brings together invigorating, provocative, and irreverent exercises contributed by nearly 60 leading English-language playwrights, covering all stages of the writing process. It offers an accessible roadmap for those who have never written a play before, while providing new angles and solutions for seasoned writers struggling with a particular challenge. Covered here is everything fromgenerating ideas and world-building, through dialogue and plotting, to revision and the last steps before releasing a play into the world, making this an endlessly useful guide to building better plays.
Writing.
In The Dramatist's Toolkit , playwright and Backstage columnist Jeff Sweet offers an intensive and practical guide to being a working playwright.
Author: Justin Maxwell Synopsis: The last passenger pigeon on earth, named Martha Washington, is desperately trying to save her species by building a Foucault-inspired outopia (a non-place.) Assisting Martha is a sperm whale named Charles Bronson, a whale so tough they named the toughest actor of all time after him. Their work is complicated by the arrival of Cotton Mather, a 300 hundred year old Puritan minister and witch burner extraordinaire, who has problems of his own. Cast Size: 2 Females, 2 Males
A stimulating and wide-ranging resource for both beginning and experienced dramatists, comprising invigorating, provocative, and irreverent exercises contributed by nearly 60 contemporary English-language playwrights, covering all stages of the writing process.
Drawing from his well known methodology, Bill Strong presents a broader application of sentence combining as the basis for teaching writing with the WRITER'S TOOLBOX: A SENTENCE COMBINING WORKSHOP. This exciting new developmental writing text uses a writing process framework and stresses a collaborative approach, while providing students with skill instruction through extensive sentence combining activities. In short, the WRITER'S TOOLBOX is the only text at the developmental level to teach grammar, usage, and punctuation skills in the context of a conceptual framework - one that covers generating and planning, freewriting and drafting, shaping and revising, and editing and proofreading.
The divide between Kendra and Betty mimics the very world that devours them: a vast and polarizing abyss. On a quiet summer evening, somewhere down in the Alabama Delta, Kendra and Betty troll the flats looking for redfish. After Betty begins diagnosing Kendra's dead-end life with career picks from What Color is Your Parachute, their routine fishing excursion takes a violent turn. This is the full-length version of the 40th Annual Samuel French Off Off Broadway Short Play Festival winner, The Gulf.
Playwriting for Puppet Theatre provides a foundation for those puppeteers, teachers and librarians who want to develop suitable scripts for puppet theatre. Mattson explores the difference between traditional theatre and puppet theatre and notes the special characteristics of the various puppets. The important aspects of script writing are then addressed. She considers the many general questions which must be answered by the playwright: the type of puppet to be used, the audience, and availability of resources and facilities. Suggestions are then given for dramatizing original ideas and for adapting well-known stories. The chapter on plot development emphasizes the importance of perspective, transitional material and the need for action. One chapter proposes various ways to develop a character through dialogue, names, and behavior. Another chapter demonstrates how the use of rhyme can add interest and humor to a puppet play. Teachers will find suggestions on how to develop a play on a specific theme or about a specific character. Some attention is also given to the mechanics of writing a play. Includes a group of puppet plays which have been successfully performed by Seattle Puppetory Theatre. Among them are Rumplestiltskin, The Princess and the Pea, The Bad-Tempered Wife, The Golden Axe, The Swineherd, and The Fisherman and His Wife. Production notes follow each script. Several samples of manipulation charts are included which may be used as an aid in blocking the puppets and the puppeteers for the various hand puppet productions.
The Best Resource Available for Finding a Literary Agent! No matter what you're writing--fiction or nonfiction, books for adults or children--you need a literary agent to get the best book deal possible from a traditional publisher. Guide to Literary Agents 2020 is your go-to resource for finding that literary agent and earning a contract from a reputable publisher. Along with listing information for more than 1,000 agents who represent writers and their books, the 29th edition of GLA includes: • The key elements of a successful nonfiction book proposal. • Informative articles on crafting the perfect synopsis and detailing what agents are looking for in the ideal client--written by actual literary agents. • Plus, a 30-Day Platform Challenge to help writers build their writing platforms +Includes 20 literary agents actively seeking writers and their writing
Workshopping the New Ploy is an indispensible introduction to the ins and outs of the workshop method. Accessible and engaging, the book is written in a nonacademic style suitable for educators and active practitioners alike. After opening with an overview of the basics of playwriting-chiefly focused on narrative structure and script analysis-the text delves into every aspect or the new-play workshopping process. Dive in, and you'll discover-How to select a director and/or dramaturg to run the workshop, Which qualities and characteristics you should consider when assembling a team of actors/readers, Strategies for efficiently conceiving and executing a staged reading of your work, including a well-structured talkback, Techniques for effectively tolerating, evaluating, and incorporating constructive criticism, And finally, but of the utmost importance, the processes to properly and professionally submit your work to theatres, Additionally, essays penned by eminent theatre professionals-playwrights, teachers, dramaturgs, an artistic director, a spoken-word performer, and others-are woven throughout the text to provide you with an insider's view of each step of the workshopping process. Sapio conceives of theatre as a fundamentally transformative experience: "If you don't walk out of the theatre changed in some way," he argues, "someone hasn't done their job. And it's probably the playwright." Don't find yourself at fault-pick up Workshopping the New Ploy, and bring your script to the next level! Book jacket.