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Bertolini provides close, subtle readings of six of Shaws major plays: Caesar and Cleopatra, Man and Superman, Major Barbara, The Doctors Dilemma, Pygmalion, and Saint Joan. He also devotes a full chapter to the one-act plays.
A collection of six short plays written by George Bernard Shaw.
George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
(Applause Books). "With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his." - From SHAW ON SHAKESPEARE Celebrated playwright, critic and essayist George Bernard Shaw was more like the Elizabethan master that he would ever admit. Both men were intristic dramatists who shared a rich and abiding respect for the stage. Shakespeare was the produce of a tempestuous and enlightening era under the reign of his patron, Queen Elizabeth I; while G.B.S. reflected the racy and risque spirt of the late 19th century as the champion of modern drama by playwrights like Ibsen, and, later, himself. Culled from Shaw's reviews, prefaces, letters to actors and critics, and other writings, SHAW ON SHAKESPEARE offers a fascinating and unforgettable portrait of the 16th century playwright by his most outspoken critic. This is a witty and provocative classic that combines Shaw's prodigious critical acumen with a superlative prose style second to none (except, perhaps, Shakespeare!).
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The three plays in this volume are some of George Bernard Shaw's most popular and frequently performed works. They demonstrate the development of Shavian comedy and contain early formulations of his idea of the Superman, an extraordinary individual who catalyzes the evolution of mankind.Arms and the Man (1894) was Shaw's first commercial success and the first public confirmation that he could make playwriting his profession. It is the first of what Shaw called his "pleasant plays", comedies that critique idealism in general rather than specific social problems (as his earlier playsdid). Specifically, Shaw undermines the romance of wartime courage, reckless heroism, and nationalist pride among British spectators while using the Serbo-Bulgarian War of 1886 as an exotic veneer.Shaw wrote The Devil's Disciple (1897) for William Terriss, an actor known for his swashbuckling roles who had requested a play that would "contain every 'surefire" melodramatic situation' - mistaken identities, terrifying adventures and last-second escapes, and frequent emotional outpourings..Caesar and Cleopatra (1898) is Shaw's revision of Shakespeare's Julius Caesar and Antony and Cleopatra as well as a fusion of the pragmatism and unconventionality of the heroes of Arms and the Man and The Devil's Disciple into a portrait of jocular, morally serious leadership.
One of Bernard Shaw’s early plays of social protest, Mrs Warren’s Profession places the protagonist’s decision to become a prostitute in the context of the appalling conditions for working class women in Victorian England. Faced with ill health, poverty, and marital servitude on the one hand, and opportunities for financial independence, dignity, and self-worth on the other, Kitty Warren follows her sister into a successful career in prostitution. Shaw’s fierce social criticism in this play is driven not by conventional morality, but by anger at the hypocrisy that allows society to condemn prostitution while condoning the discrimination against women that makes prostitution inevitable. This Broadview edition includes a comprehensive historical and critical introduction; extracts from Shaw’s prefaces to the play; Shaw’s expurgations of the text; early reviews of the play in the United States, Canada, and Great Britain; and contemporary contextual documents on prostitution, incest, censorship, women’s education, and the “New Woman.”