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"A sharp witty study of the contemporary theater and its playwrights by one if its severest critics."--P. [4] of cover.
Essays discuss Ibsen, Strindberg, O'Neill, Brecht, Shaw, acting styles, theater controversies, translation, regional drama, and the nature of theater.
(Applause Books). "Eric Bentley's radical new look at the grammar of theatre...is a work of exceptional virtue... The book justifies its title by being precisely about the ways in which life manifests itself in the theatre...This is a book to be read again and again." Frank Kermode, The New York Review of Books
Offers a critical analysis of the themes, ideas, and preoccupation exemplified in the body of Shakespeare's work, including the nature of motive, cause, personal identity and relation, the status of imagination, ethics and subjectivity, and language and its capacity to occlude and communicate, in a study that emphasizes the link between great literature and its social and historical matrix.
"What is a person? What company do people keep with animals, plants, and things? What are their rights? To whom are they obligated? Such questions - bearing fundamentally on the shared meaning of politics and life - animate Shakespearean drama, yet their urgency has been obscured by historicist approaches to literature.
W. B. Yeats is recognised globally as one of the most significant poets of the past century. And yet, in his Nobel address, he singled out his work in the theatre as his main accomplishment. Yeats on Theatre restores Yeats not only a playwright, but as a writer and thinker who, over forty years, produced a body of theory covering all aspects of theatre, including the possibilities of performance space, the role of the audience and the nature of tragedy. When read as whole, in conjunction with his plays, letters, and extensive manuscript materials, Yeats's theatre writings emerge as a radical, cohesive, theatrical aesthetic, at odds with – and in advance of – the theatre of his time. Ultimately, the Yeats who takes shape in Yeats on Theatre is an artist who thinks through theatre, providing us with an urgently needed reassertion of the value of theatre as embodied thought.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From one of America’s iconic writers, a stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage—and a life, in good times and bad—that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later—the night before New Year’s Eve—the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.
The short, but remarkable, life of Frantz Fanon has attracted several biographers, all of whom have relied on Fanon’s older brother, Joby, for information on Fanon’s early life. Dissatisfied with these portrayals, Joby decided to tell the story of his brother in his own words with a richness of detail not found in any other work. Translated into English by Daniel Nethery, this is an intimate, passionate, and very human account of one of the most influential thinkers of the twentieth century. Frantz Fanon stands as one of the most uncompromising critics of racism and colonialism. His experience growing up as French colonial subject taught him to be fearless in the defense of his ideals. At the age of seventeen he left his home island of Martinique to fight in Europe against Nazi Germany. After the war he studied medicine and wrote his first book, Black Skin, White Masks. He practiced as a psychiatrist in Algeria and put his medical skills and literary talent in the service of the struggle for Algerian independence and African liberation. He died in 1961, one week after the publication of his classic text, The Wretched of the Earth. He was thirty-six years old.