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The first collection of plays by one of France's most prominent playwrights Overboard: "Combines Shakespearian tragedy, Aristophanic farce and a Chekhovian drama of lives consumed and memories that fade." Le Progrès, Situation Vacant: "The play builds to a climax which powerfully captures a mind under siege, bombarded by a cacophony of voices and tormented by guilt." (Independent); Dissident, Goes Without Saying and Nina, That's Something Else: "These two plays bring to a summit the art of suggestions...Two fables in which prosaic everyday life is captured, at times fraught with pathos, often compassionate." (L'Humanité ); A Smile on the End of the Line: "A six-part invention which interweaves half a dozen plot lines to bring life and speed into the manufacturing sector." (Daily Telegraph)
This introductory study highlights the central themes in the plays of Michel Vinaver, showing how Vinaver articulates a wide spectrum of political and economic developments in France, by focusing on the everyday - le quotidien. Through fragmented plot, dialogue, and stage space, Vinaver creates a subversive montage of government politics, industrial capitalism, and daily life in contemporary France. Innovative and widely produced in France, Vinaver has been successful not only in theatre, but also in business; from the mid-1950s until 1982, he worked for a multinational corporation. The combination of these two careers offers us some of the most significant dramatic representations of corporate capitalism in the late twentieth century.
The first book-length study in English of contemporary French playwright Michel Vinaver
The second collection of plays by one of France's most prominent playwrights High Places: "A drama which, from second to second, maintains the spectator in suspense, and which, by the same stroke, achieves the dimension of pure, great metaphysical theatre." (Le Monde); The Neighbours " bizarre contemporary vaudeville, biting, disturbing, very subtle and wildly funny" (Le Figaro); Portrait of a Woman: "An intriguing challenging piece." (Financial Times); The Television Programme: "The piece is beautifully plotted and written from the heart." (Independent on Sunday) The translators are Gideon Y. Schein (High Places); Paul Antal (The Neighbours); Donald Watson (Portrait of a Woman); David and Hannah Bradby (The Television Programme)
The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.
An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.
The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.
Fifty Modern and Contemporary and Dramatists is a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama, theatre and literature and include such celebrated writers as: • Samuel Beckett • Caryl Churchill • Anna Deavere Smith • Jean Genet • Sarah Kane • Heiner Müller • Arthur Miller • Harold Pinter • Sam Shephard Each short essay is written by one of an international team of academic experts and offers a detailed analysis of the playwright’s key works and career. The introduction provides an historical and theatrical context to the volume, which provides an invaluable overview of modern and contemporary drama.