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Pinter in Play provides a survey of diverse readings of the Harold Pinter canon organized around and presented in terms of the major critical schools of the past twenty-five years, from New Criticism to deconstruction to poststructuralism. Reflecting on the cultural, personal, sociological, and philosophical contexts of these diverse critical perspectives and the critics who express them, this book is equally about the act or the art of literary criticism and itself an important work of literary criticism. Drawing on interviews with Pinter scholars, Susan Hollis Merritt shows how critics "play" with Pinter and thereby seriously enforce personal, professional, and political affiliations. Cutting across traditional academic and nonacademic boundaries, Merritt argues that greater cooperation and collaboration among critics can resolve conflicts, promote greater social equity, and foster ameliorative critical and cultural change.
Presents selections of the work of playwright Harold Pinter. Includes key plays, poetry, and the 2005 Nobel Prize in Literature lecture.
THE STORY: A husband goes to his office politely asking if his wife's lover will be coming today. She murmurs 'Mmmm,' and suggests he not return before six. In order not to return before six he will no doubt visit a prostitute. A competition is glossily established. When the lover does come, he is the husband, which is not surprising. The kind of sex-play follows that suggests this is the necessary titillation, and the necessary release ofhostility, between a man who means to be master of the house and a wife who means to be both wife and mistress, whatever the house may be. But there is a flaw in the accommodation. The lover is weary of his mistress; she is no longer particularly appetizing. By the time he returns, as husband, in the evening, his wife is still disturbed by the news. The performance of the afternoon has begun to carry over into the reality (or pretense) of the evening. Suddenly the husband is not quite husband, diffident over his drink. He is blurring into the lover, at the wrong hour, and angrily. The wife must seduce him now as wife, not as mistress. She does. -NY Herald-Tribune.
“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and fantasy, of human worth and human degradation.” —New York Times Set against the decayed elegance of a house in London’s Hampstead Heath, in No Man’s Land two men face each other over a drink. Do they know each other, or is each performing an elaborate character of recognition? Their ambiguity—and the comedy—intensify with the arrival of two younger men, the one ostensibly a manservant, the other a male secretary. All four inhabit a no man’s land between time present and time remembered, between reality and imagination—a territory which Pinter explores with his characteristic mixture of biting wit, aggression, and anarchic sexuality.
This volume contains the complete short plays of Harold Pinter from The Room, first performed in 1960, to Celebration, which premiered in 2000.The book commemorates the tenth anniversary of the playwright's death and coincides with Pinter at the Pinter, a celebratory season staging twenty of his one-act plays at the Harold Pinter Theatre, London, 2018.With a foreword by Antonia Fraser. 'The foremost representative of British drama in the second half of the twentieth century.' Swedish Academy citation on awarding Harold Pinter the Nobel Prize in Literature, 2005.
Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.
A biography of the playwright Harold Pinter and a study of his work as writer, actor and director. His political beliefs are viewed from the perspective of his life, which he began as an only child in Hackney, where he was one of a group of youths delighting in intellectual wordplay and badinage.
Michael Billington's engrossing biography examines Pinter's work in the context of his life. Through extended conversations with Pinter and interviews with his friends and colleagues, Billington creates a portrait of the man as well as the artist, from Pinter's Hackney childhood to his Nobel Prize, discussing his writing for stage and screen, as well as his fiction and poetry, his acting and directing, his political activity, his friendships, his two marriages and his passion for cricket. He emerges as a man of infinite complexity whose imaginative world is shaped by his private character. This new edition includes a full transcript of the Nobel lecture, as well as an additional chapter written in the aftermath of Harold Pinter's death in December 2008. 'The foremost representative of British drama in the second half of the twentieth century.' The Swedish Academy citation on awarding Harold Pinter the Nobel Prize for Literature, 2005'Enthralling... An open-sesame into Pinter's work... A valuable book. And absorbing: I found it virtually unputdownable.' Financial Times'No reader of this book will doubt that its subject is a man of the highest artistic stature.' Sunday Telegraph