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While some people study globalization, others live their lives as global experiments. This book brings together people who do both. The authors or subjects of these studies are of diverse national, religious, and ethnic backgrounds. What they have in common is a connection to Morocco. It is from this shared space that they draw on personal stories, fieldwork, and literary and linguistic analysis to provide a critical, socially reflexive response to the conceptions of culture, identity, and mobility that animate debates on migration and cosmopolitanism. On the trail of the Bedouin or Europe's new nomads and of Zaccarias Moussaoui Places We Share explores the relationship of mobility to subjectivity, and how physically moving can be a way of escaping the stigma of being an immigrant. Reading Rushdie, listening to Moroccan women converse in the UAE, or examining how the experience of serial migration can shape comparative ethnography we become more aware of how moving pushes us up against the limits of global experience. These limits must be recognized. They can be positively embraced to develop new ways of conceiving of ourselves, the world and our connections to others.
A family divided, a country going to war, and a girl desperate to feel at home converge in this stunning novel in verse. Selected for Kids Indies Introduce List AND Kids Indie Next List It's early September 2001, and twelve-year-old Abbey is the new kid at school. Again. I worry about people speaking to me / and worry just the same / when they don't. Tennessee is her family's latest stop in a series of moves due to her dad's work in the Army, but this one might be different. Her school is far from Base, and for the first time, Abbey has found a real friend: loyal, courageous, athletic Camille. And then it's September 11. The country is under attack, and Abbey's "home" looks like it might fall apart. America has changed overnight. How are we supposed / to keep this up / with the world / crumbling / around us? Abbey's body changes, too, while her classmates argue and her family falters. Like everyone around her, she tries to make sense of her own experience as a part of the country's collective pain. With her mother grieving and her father prepping for active duty, Abbey must learn to cope on her own. Written in gorgeous narrative verse, Abbey's coming-of-age story accessibly portrays the military family experience during a tumultuous period in our history. At once personal and universal, it's a perfect read for fans of sensitive, tender-hearted books like The Thing About Jellyfish. An NCTE Notable Book in Poetry A Bank Street Best Children's Book of the Year
In Reading and Writing Place: Connecting Rural Schools and Communities Erika L. Bass and Amy Price Azano suggest there is a need to add nuance to the ways we consider and engage with place in the classroom. Using a narrative writing project completed with two rural schools in two states, the authors provide an explanation of critical placed education and how students' explorations of place through writing led the authors to develop a concept of place (Big "P" and small "p" place). Students' explorations of place highlighted the how internalizations and externalizations of place impact identity formation and sense of belonging.
Fall in love with this lyrically written and lushly illustrated exploration of multicultural heritage that celebrates all the people and places who make us who we are. "And where shall we go?" Mama asks as she tucks me in. "South Africa. Where I was born." My answer summons Mama's stories, stories that send us soaring back in time to when I was a baby. Out my window. Down my street. Across water. Across continents. "Where do you come from? Where does your family come from?" For many children, the answers to these questions can transform a conversation into a journey around the globe. In her first picture book, author Patrice Gopo illuminates how family stories of far-off lands help shape children, help form their identity, and help connect them with the broader world. Her lyrical language, paired with Jenin Mohammed's richly textured artwork, creates a beautiful, stirring portrait of a child's deep ties to cultures and communities beyond where she lays her head to sleep. Ultimately, this story speaks a truth that all children need to hear: The places we come from are part of us, even if we can't always be near them. All the Places We Call Home is a quiet triumph that encourages an awakening to our own stories and to the stories of those around us.
Provides composition techniques that help students to develop critical reading skills.
Much of what constitutes our experience of our immediate environment is quite ordinary and familiar, in particular, where we live. While policymakers and academics are constantly seeking transformations in housing, what we seek from our own housing is stability and lack of change. We seek secure roots to our lives rather than step-changes and radical reform. This book considers this ordinary experience of housing and how we come to depend upon it. The notion of the ordinary is used to argue against the conceits of policymaking and the fetish for domestic design. Using a variety of methods such as critical analysis and film criticism (looking at the work of film-makers as diverse as Bergman, Dreyer, Shyamalan, Tarkovsky, Tati and the Wachowski Brothers), it provides an original, impressionistic view of the role housing plays in our lives.
Thoroughly revised and updated, this text introduces students of human geography and allied disciplines to the fundamental concept of place, combining discussion about everyday uses of the term with the complex theoretical debates that have grown up around it. A thoroughly revised and updated edition of this highly successful short introduction to place Features a new chapter on the use of place in non-geographical arenas, such as in ecological theory, art theory and practice, philosophy, and social theory Combines discussion about everyday uses of the term 'place' with the more complex theoretical debates that have grown up around it Uses familiar stories drawn from the news, popular culture, and everyday life as a way to explain abstract ideas and debates Traces the development of the concept from the 1950s through its subsequent appropriation by cultural geographers, and the linking of place to politics
These dialogues between Robert Aitken Roshi, one of the first American-born Zen masters, and Brother David Steindl-Rast, the Roman Catholic monk and hermit, took place during a week-long retreat the two old friends undertook in 1991 in a remote part of the island of Hawaii. Their aim was to approach the dialogue between Buddhism and Christianity in a fresh way, one that takes as its starting point a comparison of the personal experiences of the dialoguers—as a Buddhist and as a Christian, respectively—rather than abstract concepts. The result is the discovery of a surprising amount of common ground—the kind of shared experience that forms a solid foundation for further dialogue.
After over 25 years of working with people, and attempting to help them, as a psychotherapist, trainer, and teacher, I have not only walked through the joys and struggles of my own life experiences, and those of family and friends, but I have had the benefits and privilege of learning and living vicariously, while listening to untold hours with literally thousands of clients during their own struggling and searching. I have been encouraged by and privileged to watch the healing, growth, and transcendence from lifes struggles of thousands of people, and I have felt pain and sadness in witnessing the deterioration, resistance and self-destruction of countless others. I have come to believe that the primary determining factor of whether one experiences transcendence or deterioration is a determined willingness to go through the struggles, and to develop an attitude: that looks courageously into the eye of the storm, and says assuredly: You will not break me These poems are captured moments of my own experiences, and reflections on the journeys of others, as we have separately and together enjoyed the sunrises and sunsets, while sometimes weathering the storms in between. May these poems help you better understand yourself and your fellow travelers, and no matter how difficult or deep your own abyss of darkness, may you always find Hope! THE RHYTHM OF LIFE Today could not have been Without yesterday's haunting wind, Blowing by and changing my life, Stirring up realities and other sundry strife. The happenings of this hour Would rightfully have no power, Without the joys and pains of past, Shaping and creating me at last. Had even one conversation been altered, Or one person or event faltered, This moment in which I now breathe Would not now be, as is, conceived. There is a Great Choreographer, somewhere, someplace, Who orchestrates my moves and your every pace, Matching our steps in infinite, perfect time; Then, this dance, once confusing starts to rhyme...
“A lively and accessible take on ancient techniques for transforming terror and pain into joy and compassion,” from beloved Buddhist teacher Pema Chödrön (O, The Oprah Magazine) Lifelong guidance for changing the way we relate to the scary and difficult moments of our lives—showing us how we can use our difficulties and fears as a way to soften our hearts and open us to greater kindness We always have a choice in how we react to the circumstances of our lives. We can let them harden us and make us increasingly resentful and afraid, or we can let them soften us and allow our inherent human kindness to shine through. In The Places That Scare You, Pema Chödrön provides essential tools for dealing with the many difficulties that life throws our way, teaching us how to awaken our basic human goodness and connect deeply with others—to accept ourselves and everything around us complete with faults and imperfections. Drawing from the core teachings of Buddhism, she shows the strength that comes from staying in touch with what’s happening in our lives right now and helps us unmask the ways in which our egos cause us to resist life as it is. If we go to the places that scare us, Pema suggests, we just might find the boundless life we’ve always dreamed of.