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Power and money allow even the most wretched of men to rule. Life in the colony of Rhode Island is no easier than life was in Ireland, and having an ocean between her and the dreadful man she was betrothed to marry brings little peace to Hannah O’Rourke. Even so she’d risk the dangerous journey again to remain free. After her closest friend dies giving birth to a sea captain’s bastard, Hannah finds herself in the newly cherished position of surrogate mother, and vows to do everything in her power to provide a good life for the baby. When she learns the baby’s father is not only happy to take the child, but he’s the same vile pirate she was to marry, Hannah is unable to control her fiery temper. She publicly accuses the man of deliberately ruining the baby’s mother and demands he be made to atone. Paying off the authorities and making it clear he has every intention of raising the baby at sea, Captain Black whisks the child from Hannah’s arms without allowing her to say a proper goodbye. As the pirate carries the little boy away to a roaming life of carousing, violence, and womanizing Hannah’s freedom is no longer important. Heartbreak and anger mixed with rum turn into an abduction plan that lands Hannah in the pirate’s brig on his ship bound for Ireland where she’ll be forced to marry the man she worked so hard to escape.
Will a virgin captive surrender to this pirate’s sinful touch? Nathaniel Bainbridge is used to hiding, whether it’s concealing his struggles with reading or his forbidden desire for men. Under the thumb of his controlling father, the governor of Primrose Isle, he’s sailing to the fledging colony, where he’ll surrender to a respectable marriage for his family’s financial gain. Then pirates strike and he’s kidnapped for ransom by the Sea Hawk, a legendary villain of the New World. Bitter and jaded, Hawk harbors futile dreams of leaving the sea for a quiet life, but men like him don’t deserve peace. He has a score to settle with Nathaniel’s father—the very man whose treachery forced him into piracy—and he’s sure Nathaniel is just as contemptible. Yet as days pass in close quarters, Nathaniel’s feisty spirit and alluring innocence beguile and bewitch. Although Hawk knows he must keep his distance, the desire to teach Nathaniel the pleasure men can share grows uncontrollable. It’s not as though Hawk would ever feel anything for him besides lust… Nathaniel realizes the fearsome Sea Hawk’s reputation is largely invented, and he sees the lonely man beneath the myth, willingly surrendering to his captor body and soul. As a pirate’s prisoner, he is finally free to be his true self. The crew has been promised the ransom Nathaniel will bring, yet as danger mounts and the time nears to give him up, Hawk’s biggest battle could be with his own heart. This May-December gay romance from Keira Andrews features classic tropes including: a tough alpha pirate too afraid to love, a plucky virgin captive half his age, enemies to lovers, first-time sexual discovery, and of course a happy ending.
"The Pirate" is not connected with historic annals, nor does it deal with the sea, except in an incidental way. It is a tale of neighborhood life off the northeast coast of Scotland. Basil Mertoun, a reticent and misanthropic man about which nothing is known, takes up his residence in a tumble-down mansion on a Shetland cape, which he rents at a nominal sum from Magnus Troil, an old landowner. Basil is accompanied only by a young son, Mordaunt, who, more sociable and agreeable than his father, makes acquaintances all about the countryside. Especially does he frequent the Troil home, attracted thither by the two charming daughters of Magnus, Minna and Brenda; but he is so impartial in his attentions that the local gossips do not know which he courts. Returning from their home one stormy night he takes refuge in the cottage of the Yellowleys, an eccentric old farmer and his miserly sister; but is warned by Norna, a half-crazed seeress, to proceed on his way ...
The boobk covers the world of Pirates: ships and seafaring, maps, weapons, larger than life characters and larger than life stories are vividly presented.
INTRODUCTION TO THE PIRATE. “Quoth he, there was a ship.” This brief preface may begin like the tale of the Ancient Mariner, since it was on shipboard that the author acquired the very moderate degree of local knowledge and information, both of people and scenery, which he has endeavoured to embody in the romance of the Pirate. In the summer and autumn of 1814, the author was invited to join a party of Commissioners for the Northern Light-House Service, who proposed making a voyage round the coast of Scotland, and through its various groups of islands, chiefly for the purpose of seeing the condition of the many lighthouses under their direction,—edifices so important, whether regarding them as benevolent or political institutions. Among the commissioners who manage this important public concern, the sheriff of each county of Scotland which borders on the sea, holds ex-officio a place at the Board. These gentlemen act in every respect gratuitously, but have the use of an armed yacht, well found and fitted up, when they choose to visit the lighthouses. An excellent engineer, Mr. Robert Stevenson, is attached to the Board, to afford the benefit of his professional advice. The author accompanied this expedition as a guest; for Selkirkshire, though it calls him Sheriff, has not, like the kingdom of Bohemia in Corporal Trim’s story, a seaport in its circuit, nor its magistrate, of course, any place at the Board of Commissioners,—a circumstance of little consequence where all were old and intimate friends, bred to the same profession, and disposed to accommodate each other in every possible manner.
This carefully crafted ebook: "Tales of the Crusaders: The Betrothed & The Talisman (Illustrated Edition)" is formatted for your eReader with a functional and detailed table of contents. The Betrothed is the first of two Tales of the Crusaders. The action takes place in the Welsh Marches during the latter part of the reign of Henry II, after 1187. Eveline, the 16-year-old daughter of Sir Raymond Berenger, is rescued from a Welsh siege by the forces of Damian Lacy. She is betrothed to his uncle, Sir Hugo, who leaves on a crusade. Rebels led by Ranald Lacy attempt to kidnap her, and Damian fights them off, but a confused sequence of events convinces the King that she and her beloved are in league against him. The Talisman takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard. Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet. He was the first modern English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.
The Betrothed is the first of two Tales of the Crusaders. The action takes place in the Welsh Marches during the latter part of the reign of Henry II, after 1187. Eveline, the 16-year-old daughter of Sir Raymond Berenger, is rescued from a Welsh siege by the forces of Damian Lacy. She is betrothed to his uncle, Sir Hugo, who leaves on a crusade. Rebels led by Ranald Lacy attempt to kidnap her, and Damian fights them off, but a confused sequence of events convinces the King that she and her beloved are in league against him. The Talisman takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard. Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet. He was the first modern English-language author to have a truly international career in his lifetime, with many contemporary readers in Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley, The Heart of Midlothian and The Bride of Lammermoor.
Warm, tropical Jamaica—a hotbed of piracy, violence, and spiritual conflict. Emerald Harwick is caught amidst each. Her fiance, Captain Baret "Foxworth" Buckington, defies the laws of the Jamaican Council and sails with notorious arch pirate Henry Morgan, hoping to find his imprisoned father among the Spanish dons. Her marriage delayed, Jamaican law forces Emerald to also put her heart's desire on hold: teaching Christianity to the African slaves. She fights disappointment and seeks an end to the spiritual conflict with her culture. Emerald is caught in a web of disillusionment, anger, and fear. As Spanish sympathizers gain the ear of the king, she must face a most frightening possibility: If caught, Baret will be arrested and hanged at Execution Dock.
In the 16th century, the Portuguese were the dominant power in the triangle of India, Madagascar and East Africa. It was the ‘Age of the Pirate’: forays into India to impress men into service on pirate ships, raids on shipping in the Arabian Sea for booty... A romantic story of adventure, The Princess and the Pirate centres on Zahira, a young Indian girl taken hostage and ransomed by the handsome, brave pirate chief, Pedro Alvarari. Can she forget home and family to contemplate a future with the pirates? Will Pedro’s lust for gold and drunken, violent life allow him to fall in love? Is the pirate life itself under threat by a desire for more order and stability? Written for young readers aged 15 and above or for the romance connoisseur, The Princess and the Pirate is beautifully illustrated with twelve plates.