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A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.
Jarvis addresses a significant gap in modern scholarship on travel writing: its contemporary reception. Drawing on formal reviews, journals, letters, autobiographies, commonplace books and marginalia, Jarvis analyses the impact made by travel books on North America during an era of transatlantic strife. Attentive to the role of the periodical press, his book is also the first serious exploration of private reading experiences of travel literature in the Romantic period.
Tells the immensely dramatic but neglected story of one of the most sensational plots in British history.
Draws upon letters, diaries, memoirs, book reviews, and newspaper articles to present a picture of James Boswell from the vantage point of those who knew him best. This book tells what family, friends, rivals, critics, and satirists thought of the man who produced notable works.
Further autograph letters of Hester Lynch Piozzi to William Augustus Conway have come to light, which show the depth of her affection for Conway and help to reveal the character of a man whose birth, life, and death have always been shrouded in mystery.
Scholars and readers who are interested in eighteenth-century British literature are surely familiar with Hester Lynch Thrale Piozzi in the light she came to be known in her lifetime and after: first, as the “formidable hostess” of Streatham House, South London, and then as an outcast from respectable eighteenth-century society after she had married the Italian piano teacher of her daughter. As a writer, her importance has long been that of a footnote to Samuel Johnson and as a consequence, she has been part of the official British literary canon only as a character. This volume introduces Hester Lynch Thrale Piozzi as a whole, trying to link her fascinating and subversive biography to her development as a writer, emphasizing the innovative issues of her works, her style and her social and personal beliefs. Piozzi’s biography is an interesting example of the dynamic scene of the late eighteenth century, where she was both conservative and subversive: she was an eccentric, and although her decision to marry the Italian singer and composer Gabriele Piozzi disgraced her, it was through this act of subversion that Hester Thrale Piozzi could finally make her own entrance into the world as a public writer. Once she had transgressed the social codes of so-called “feminine” behaviour, she was also ready to move into the public sphere, publish her works and make money out of them, pioneering several traditional literary genres through her passionate search for professional independence in the literary canon of the eighteenth century.