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A cat fools the animals in the jungle by pretending to be holy and pious. A frog finds himself in a dangerous predicament with a hungry crow. A clever deer knows exactly what she must do to keep her babies safe. Animal stories have always been a popular and humourous way of pointing out very human failings like greed, vanity, and ignorance. The stories in this collection are from Rajasthan, tales that have been handed down over generations - changing and growing with each new telling.
These short works from a master of Jewish literature offer “a brilliantly evocative tribute to a bygone era” (Publishers Weekly). Isaac Leybush Peretz is one of the most influential figures of modern Jewish culture. Born in Poland and dedicated to Yiddish culture, he recognized that Jews needed to adapt to their times while preserving their cultural heritage, and his captivating and beautiful writings explore the complexities inherent in the struggle between tradition and the desire for progress. This book, which presents a memoir, poem, travelogue, and twenty-six stories by Peretz, also provides a detailed essay about Peretz’s life by Ruth R. Wisse. This edition of the book includes, as well, Peretz’s great visionary drama A Night in the Old Marketplace, in a rhymed, performable translation by Hillel Halkin.
A collection of folktales about cats.
The arrival of a stray cat at the Pearly Gates brings chaos to a computerland heaven where he is believed to be an emissary of Satan.
"The blue cat is like a knight on a quest. His quest is to find a hearth to fit the song the river taught him and to teach the owner of the hearth to sing that song"--Jacket.
The Cat is a Romanian fairy story, which tells of a princess turned into a cat. She must remain in this form until an emperor's son arrives to behead her, which one such man accordingly does. The author uses Jungian psychological analysis methods to interpret the symbolism of the tale.
The author of Straw Dogs, famous for his provocative critiques of scientific hubris and the delusions of progress and humanism, turns his attention to cats—and what they reveal about humans' torturous relationship to the world and to themselves. The history of philosophy has been a predictably tragic or comical succession of palliatives for human disquiet. Thinkers from Spinoza to Berdyaev have pursued the perennial questions of how to be happy, how to be good, how to be loved, and how to live in a world of change and loss. But perhaps we can learn more from cats--the animal that has most captured our imagination--than from the great thinkers of the world. In Feline Philosophy, the philosopher John Gray discovers in cats a way of living that is unburdened by anxiety and self-consciousness, showing how they embody answers to the big questions of love and attachment, mortality, morality, and the Self: Montaigne's house cat, whose un-examined life may have been the one worth living; Meo, the Vietnam War survivor with an unshakable capacity for "fearless joy"; and Colette's Saha, the feline heroine of her subversive short story "The Cat", a parable about the pitfalls of human jealousy. Exploring the nature of cats, and what we can learn from it, Gray offers a profound, thought-provoking meditation on the follies of human exceptionalism and our fundamentally vulnerable and lonely condition. He charts a path toward a life without illusions and delusions, revealing how we can endure both crisis and transformation, and adapt to a changed scene, as cats have always done.
This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism. The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace. The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.
Timeless fables of loyalty and betrayal Like Aesop’s Fables, Kalīlah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffaʿ in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.” Kalīlah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalīlah and Dimnah offers insight into the moral lessons Ibn al-Muqaffaʿ wished to impart to rulers—and readers. An English-only edition.
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