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A delightfully accessible trail-guide approach to the traditional uses of wild plants in the Pueblo world.
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
Alongside sixty-two of Butcher's iconic photographs, "Light on the Prairie" conveys the irrepressible spirit of a man whose passion would give us a firsthand look at the men and women who settled the Great Plains.
An introduction to 500 photographers from the mid-19th century to today.
John Calvin Allen, professionally known as J. C., worked as a photographer for Purdue University from 1909-1952, and operated his own photography business until his death in 1976. The J. C. Allen photographs represent a historical account of the transition from pioneer practices to scientific methodologies in agriculture and rural communities. During this major transitional period for agriculture, tractors replaced horses, hybrid corn supplanted open-pollinated corn, and soybeans changed from a novelty crop to regular rotation on most farms. During this time, purebred animals with better genetic pedigrees replaced run-of-the-mill livestock, and systematic disease prevention in cattle, swine, and poultry took place. Allen's photographs also document clothing styles, home furnishings, and the items people thought important as they went about their daily lives. Looking closely at tractors, livestock, wagons, planters, sprayers, harvesting equipment, and crops gives one a sense of the changing and fast-paced world of agriculture at that time. This volume contains over 900 picturesque images, most never-before-seen, of men, women, and children working on the farm, which remain powerful reminders of life in rural America at the turn of the twentieth century. As old farmhouses and barns fall victim to age, Allen photographs are all that remain. While those people and times no longer exist today, they do remain "alive" because of the preservation of that history on film. A camera in his hands and an eye for photography allowed Allen to create indelible visual histories that continue to tell the story of agriculture and rural life from long ago.
The Pioneer Photographer is the story of William Henry Jackson¿s love for the outdoors and of his adventurous life photographing the Rocky Mountain West during the late 1860s and 1870s. His meticulous descriptions of the rugged and treacherous landscapes, and the efforts required for capturing the images on glass plates, edify the reader about the enormous challenges presented by early photographic technology.
In 1906 teenage bride Julia Tuell arrived at Lame Deer, Montana, on the Northern Cheyenne Indian Reservation with her schoolmaster husband. Seven years later the Tuells moved to the Rosebud Indian Reservation in South Dakota, and lived among the Sioux (pr
Over 225 striking black and white photographs comprise this comprehensive book, the first to chart the origins and development of Eretz Israel as seen through the eyes of Jewish photographers.
Carlo Gentile was born in Naples, Italy and arrived in 1863 as a young man in Vancouver, B.C., where he photographed the Indians and mining activity. By 1867, Gentile had studios in California, and by 1868 he was photographing throughout Arizona and New Mexico. From 1874 to 1885, he operated a studio in Chicago, where for a time, he was the photographer for Buffalo Bill's first Wild West Show.