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The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy. The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe. The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone. Where harmony between the spiritual and the natural has always reigned, a dissonant chord now rings in the ears of both Fae and mortal. And when murmurs of a witch-hunt hum through the town, some begin to wonder if the different omens are notes in the same tune. And all they have to guide them is a passing reference to something called the Pillars of the World...
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.
Assemblies of rectangular stone pillars, or stelae, fill the plazas and courts of ancient Maya cities throughout the lowlands of southern Mexico, Guatemala, Belize, and western Honduras. Mute testimony to state rituals that linked the king's power to rule with the rhythms and renewal of time, the stelae document the ritual acts of rulers who sacrificed, danced, and experienced visionary ecstasy in connection with celebrations marking the end of major calendrical cycles. The kings' portraits are carved in relief on the main surfaces of the stones, deifying them as incarnations of the mythical trees of life. Based on a thorough analysis of the imagery and inscriptions of seven stelae erected in the Great Plaza at Copan, Honduras, by the Classic Period ruler "18-Rabbit-God K," this ambitious study argues that stelae were erected not only to support a ruler's temporal claims to power but more importantly to express the fundamental connection in Maya worldview between rulership and the cosmology inherent in their vision of cyclical time. After an overview of the archaeology and history of Copan and the reign and monuments of "18-Rabbit-God K," Elizabeth Newsome interprets the iconography and inscriptions on the stelae, illustrating the way they fulfilled a coordinated vision of the king's ceremonial role in Copan's period-ending rites. She also links their imagery to key Maya concepts about the origin of the universe, expressed in the cosmologies and mythic lore of ancient and living Maya peoples.
Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .
Edward Rutherfurd’s stirring account of Irish history, the Dublin Saga, concludes in this magisterial work of historical fiction. Beginning where the first volume, The Princes of Ireland, left off, The Rebels of Ireland takes us into a world transformed by the English practice of “plantation,” which represented the final step in the centuries-long British conquest of Ireland. Once again Rutherfurd takes us inside the process of history by tracing the lives of several Dublin families from all strata of society – Protestant and Catholic, rich and poor, conniving and heroic. From the time of the plantations and Elizabeth’s ascendancy Rutherfurd moves into the grand moments of Irish history: the early-17th-century “Flight of the Earls,” when the last of the Irish aristocracy fled the island; Oliver Cromwell’s brutal oppression and confiscation of lands a half-century later; the romantic, doomed effort of “The Wild Geese” to throw off Protestant oppression at the Battle of the Boyne. The reader sees through the eyes of the victims and the perpetrators alike the painful realities of the anti-Catholic penal laws, the catastrophic famine and the massive migration to North America, the rise of the great nationalists O’Connell and the tragic Parnell, the glorious Irish cultural renaissance of Joyce and Yeats, and finally, the triumphant founding of the Irish Republic in 1922. Written with all the drama and sweep that has made Rutherfurd the bestselling historical novelist of his generation, The Rebels of Ireland is both a necessary companion to The Princes of Ireland and a magnificent achievement in its own right.
Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.
In the beginning were the Heavenlies, and Their names were Truth, Life, Love, Mercy, Justice, Strength, Wisdom, and Beauty. They were not brought into being, and there is nothing that has been made which They did not create. They neither decrease nor increase. Nothing besides Them existed until They brought it into existence, according to Their own will. When the world as we know it was made, They came into agreement, saying, ìLet Us make a world that will display Our glory and will return glory to Ourselves, î and it was so. Thus, not only was everything created by Them and through Them, but it was created for Them. Furthermore, They made man in Their image, giving him life and purpose. However, man became proud and considered himself to be the decider of his own destiny. Afterwards, he and his wife fought between themselves, and his children were caught in the crossfire. Then his children began to have their own wives and children, and family feuds erupted. Soon, the families became villages, the villages became tribes, the tribes became nations, and the nations became empires. Everyone was hating, neglecting, forsaking, disrespecting, mistreating, and abusing everyone and everything in the search for their own truth. Somewhere in the middle, the Heavenlies divided the people into three separate nations: Terac (later Jorak), Sistanis, and Baior. Each of them has their own priorities and philosophies, and their stories are written by members within their own nation. Some writings are in first person, others in third, but all of it is true, or so they claim. On this epic journey, you will discover that Truth is not a principle or a perspective, but a person. Not only is He a person, but He is the Author of the Universe.
Pillars of Salt is the story of two women confined in a mental hospital in Jordan during and after the British Mandate. After initial tensions they become friends and share their life stories.
Prophecy declared that corrupt politician Corajidin would rule the Shrianese Federation, even become its new Emperor--and sinister magic has helped him defy death in order to do it. But his victory is not assured, thanks to clashing rival factions that hinder any attempts to unify the nation.