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Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a Wolf With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness. Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.
This charming picture book biography tells the inspiring story of Anne Bradstreet, a gifted Puritan writer who overcame barriers to become America's first published poet.
"The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." --Fanny Howe This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. From "Stop Me If You've Heard This One Before" Sometimes you just have to leave whatever's real to you, you have to clomp through fields and kick the caps off all the toadstools. Sometimes you have to march all the way to Galilee or the literal foot of God himself before you realize you've already passed the place where you were supposed to die. I can no longer remember the being afraid, only that it came to an end. Kaveh Akbar is the founding editor of Divedapper. His poems appear recently or soon in The New Yorker, Poetry, APR, Tin House, Ploughshares, PBS NewsHour, and elsewhere. The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America, Akbar was born in Tehran, Iran, and currently lives and teaches in Florida.
This world is not our home. Living as a Christian in this world isn't easy, and there are many times we are discouraged by our present circumstances and the journey ahead. But God is faithful, and He is the hope we have for the life to come. These poems and hymns come from fellow believers throughout history who were like us, but trusted God to bring them to a glory that would surpass their present troubles. As you read, be encouraged. Christ is with us, and we are not alone.
David Whyte's 7th volume of poetry
Sonnets are familiar to us, but not relevant. What do they have to do with our fast-paced, tech-driven, ever-shrinking contemporary world? But what if the sonnet—invented 700 years ago—could come back like a cat with nine lives? A sonnet in the twenty-first century might serve as a sacramental form, calling us from our work-mad lives to quietness and reflection. In Pilgrim, You Find the Path by Walking, Jeanne Murray Walker invites the reader to join her on a journey told in 58 colloquial sonnets, beginning in the slangy streets of New York and ending in the holiness of silence and praise. Stops on the journey include reflections on death and grief, but also praise for a migrating butterfly, a knock on the door, the astonishing ocean. This book is designed to be used as a devotional and read slowly; to be both a book of poetry and a spiritual companion.
Illuminates both the well- and lesser-known literary figures of New Mexico, whose collaborative efforts created enduring literary colonies. This book also discusses fifteen writers and concludes with walking and driving tours of Santa Fe and Taos.
Rachael Boast's first collection, Sidereal, was one of the most highly regarded debuts of recent years, winning the Forward Prize for Best First Collection and the Seamus Heaney Centre for Poetry Prize. Her second, Pilgrim's Flower, richly confirms and dramatically extends that talent - but where Sidereal's gaze was often firmly fixed on the heavens, Boast's focus here has shifted earthward. The book sings life's intoxicants - love, nature, literature, friendship, and other forms and methods of transcendence - and sees Boast's pitch-perfect lyrical metaphysic challenge itself at every turn. Pilgrim's Flower gives an almost Rilkean attention to the spaces between things - the slippage between what we think we know, and what is actually there - and in doing so brings the language of rite, observance and rune to the details of our daily lives.
'A profoundly valuable collection, full of fresh perspective, and opening doors into all kinds of material that has been routinely neglected or patronized' Rowan Williams, TLS This rich and surprising anthology is a holistic, global survey of a lyric conversation about the divine, one which has been ongoing for millennia. Beginning with the earliest attributable author in all of human literature, the twenty-third century BCE Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical figures like Blake, Dickinson and Tagore, alongside lesser-anthologized, diverse poets going up to the present day. Together they show the breathtaking multiplicity of ways humanity has responded to the spiritual, across place and time.
A meditation on the work of Italian artist Giorgio Morandi and its power to evoke a complexity of emotions and astonishment. In The Pilgrim's Bowl, Swiss poet Philippe Jaccottet examines Giorgio Morandi's ascetic still lifes, contrasting his artistic approach to the life philosophies of two authors whom he cherished, Pascal and Leopardi, and reflecting on the few known autobiographical details we know about Morandi. In this small and erudite tome, Jaccottet draws us into the very heart of the artist's calm and strangely haunting oeuvre. In his literary criticism, Jaccottet is known for deeply engaging with the work of his fellow poets and tenaciously seeking the essence of their poetics. In this, his only book-length essay devoted to an artist, his critical prose likewise blends empathy, subtle discernment, and a determination to pinpoint, or at least glimpse, the elusive underlying qualities of Morandi's deceptively simple, dull-toned yet mysteriously luminous paintings. The Pilgrim's Bowl is a remarkably elucidating study based on a profound admiration for and a dialogue with Morandi's oeuvre.