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'Pilgrimage' was the first expression in English of what it is to be called 'stream of conciousness' technique, predating the work of both Joyce and Woolf, echoing that of Proust with whom Dorothy Richardson stands as one of the great innovatory figures of our time. These four volumes record in detail the life of Miriram Henderson. Through her experience - personal, spiritual, intellectual - Dorothy Richardson explores intensely what it means to be a woman, presenting feminine conciousness with a new voice, a new identity.
Pilgrimage, Dorothy Richardson's thirteen-volume opus of autobiographical fiction, follows the entire arc of an independent woman's life in early twentieth-century Britain. It is one of the major works of the modernist period; indeed, it is considered by many a classic of modernist literature. In this book, Joanne Winning argues in this book, however, that Richardson's novels continue to be misunderstood in several important ways. Winning is the first critic to fully explore the issues of lesbian identity in the novels. Examining primary materials, manuscript drafts, and Richardson's previously unstudied correspondence, Winning demonstrates that Pilgrimage contains a carefully constructed, though concealed, subtext of lesbian desire and sexuality. The Pilgrimage of Dorothy Richardson explores the ways in which Richardson used such cultural forms as sexology, psychoanalysis, and other lesbian and modernist literature of her time to create an intertextual dialogue about lesbian identity. Winning suggests that a sustained reading of lesbian sexuality in Pilgrimage is crucial to a more complete understanding of Richardson's long and sometimes difficult work. Winning also places Pilgrimage in the context of other works by female modernist writers that record lesbian identity. This approach, Winning suggests, is the first step toward recognizing and defining a literary movement that can be termed "lesbian modernism," as well as toward a deeper understanding of how lesbian modernist writers helped shape modernist literature as a whole.
From the INTRODUCTION by May Sinclair.I HAVE been asked to write a criticism of the novels of Dorothy Richardson. I do not know whether this essay is or is not going to be a criticism, for so soon as I begin to think what I shall say I find myself criticising criticism, wondering what is the matter with it and what, if anything, can be done to make it better, to make it alive. Only a live criticism can deal appropriately with a live art. And it seems to me that the first step towards life is to throw off the philosophic cant of the nineteenth century. I don't mean that there is no philosophy of Art, or that if there has been there is to be no more of it; I mean that it is absurd to go on talking about realism and idealism, or objective and subjective art, as if the philosophies were sticking where they stood in the eighties....
This guide to Richardson's Modernist documentary novel Pilgrimage provides a precise chronology of events keyed to the novels by page number, a description of relationships among the principal persons of the story, a descriptive alphabetical directory of the characters, and an annotated secondary bibliography. No index. Annotation copyright by Book News, Inc., Portland, OR
The Tunnel is the fourth volume in Dorothy Richardson’s novel series Pilgrimage. The series, set in the years 1893-1912, chronicles the life of Miriam Henderson, a “New Woman” rejecting the Victorian ideals of femininity and domesticity in favour of a modern life of independence. In addition to the formal and stylistic innovations in The Tunnel, its attention to women’s experience of modernity is groundbreaking. It chronicles Miriam’s working day as a dental receptionist and her forays into the public space of cafés, city streets, and political and intellectual talks. Richardson matches her focus on Miriam’s consciousness with remarkable detail, giving the narrative a powerful realism. Contemporary reviews (including those by Virginia Woolf and Katherine Mansfield), personal letters, and Richardson’s essays on modernism, feminism, and aesthetics place this important novel in context.
Bryony Randall explores the twin concepts of daily time and of everyday life through the writing of several major modernist authors. The book begins with a contextualising chapter on the psychologists William James and Henri Bergson. It goes on to devote chapters to Dorothy Richardson, Gertrude Stein, H. D. and Virginia Woolf. These experimental writers, she argues, reveal everyday life and daily time as rich and strange, not simply a banal backdrop to more important events. Moreover, Randall argues that paying attention to the everyday and daily time can be politically empowering and subversive. The specific social and cultural context of the early twentieth century is one in which the concept of daily time is particularly strongly challenged. By examining Modernism's engagement with or manifestation of this notion of daily time, she reveals a totally new perspective on their concerns and complexities.
Dive into the captivating opening chapter of Dorothy M. Richardson's thought-provoking novel, where hidden wonders await. As the large hall stands as a testament to the marvels of transition, one woman, amid the bustling world of socialism and the comfort of Wimpole Street, finds solace in the everlasting solitude. Journey through the realms of art, literature, and psychology, as she encounters a tapestry of characters and ideas, blurring the boundaries between her own existence and the intriguing lives that surround her. In this mesmerizing exploration of self-discovery, prepare to be transported into a world of intellectual curiosity and profound introspection.
Dawn's Left Hand is the tenth in the author's 12-part opus, Pilgrimage.