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Through a richly detailed account of the genesis, flowering, and decline of the Puritan ideal of a church of the elect in England and America, Professor Morgan offers an important reinterpretation of a pivotal era in New England history. Historians have generally supposed that the main outlines of the Puritan church were determined in England and Holland and transplanted to the new world. The author convincingly suggests, instead, that the distinguishing characteristic of the New England churches--the ideal of a church composed exclusively of true and tested saints--developed fully only in the 1630's and 1640's, some time after the first settlers arrived in New England. He also examines the influence of the Separatist colony at Plymouth on the later settlers of the Massachusetts Bay Colony, and follows the difficulties created by a definition of the religious community so selective that the New England churches nearly expired for lack of saints to fill them.
Compelling Historical Fiction from the 16th-Century Reformation In this third story, the Dutch revolt against the occupation and religious oppression of Spain moves into full engagement. Pieter-Lucas van den Garde continues to run messages for Willem of Orange. In the midst of the uncertainties of war, his wife Aletta gives birth to their second child. Then Aletta discovers that the baby girl has a deformity. Concerned for the safety of his family, Pieter takes them to the fortified city of Leyden, where he had once dreamed of studying art under its master artists. In Leyden, the only painter Pieter-Lucas finds is Joris, an innkeeper who for fear of persecution will not admit to being a painter of that his true identity is Jewish. But Joris' son's gift as an artist exposes them to danger, and his wife's discovery of a true Christian faith is very disturbing to him. When the Spaniards lay siege to Leyden, all their lives are in danger and intertwined, and Pieter-Lucas' arrest as a spy pushed Aletta's fears to the overwhelming point. In the blackest night, will faith prove to be a citadel stronger than the sword.
Four hundred years ago, a group of men and women who had challenged the religious establishment of early seventeenth-century England and struggled as refugees in the Netherlands risked everything to build a new community in America. The story of those who journeyed across the Atlantic on the Mayflower has been retold many times, but the faith and religious practices of these settlers has frequently been neglected or misunderstood. In One Small Candle, Francis J. Bremer focuses on the role of religion in the settlement of the Plymouth Colony and how those values influenced political, intellectual, and cultural aspects of New England life a hundred and fifty years before the American Revolution. He traces the Puritans' persecution in early seventeenth-century England for challenging the established national church and the difficulties they faced as refugees in the Netherlands in the 1610s. As they planted a colony in America, this group of puritan congregationalists was driven by the belief that ordinary men and women should play the deciding role in governing church affairs. Their commitment to lay empowerment and participatory democracy was reflected in congregational church covenants and inspired the earliest political forms of the region, including the Mayflower Compact and local New England town meetings. Their rejection of individual greed and focus on community, Bremer argues, defined the culture of English colonization in early North America. A timely narrative of the people who founded the Plymouth Colony, One Small Candle casts new light on the role of religion in the shaping of the United States.
This volume of essays on Thomas Browne aims to set the man and his works in new contexts. Drawing on new research into his reading, readers, biography, manuscripts, and politics, a new picture of Browne and his writing emerges, clarifying his relationship to seventeenth-century English and European culture.