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The Pilgrim Edition of the Letters of Charles Dickens Volume 1. 1820-1839
This volume presents 1,592 letters, 668 of them previously unpublished, for the years 1850 to 1852. This was a time of great activity for Dickens, who completed the serial publication of David Copperfield, began work on Bleak House, successfully established the weekly Household Words (in which his own serial A Child's History of England appeared), and wrote about 100 articles and stories for the journal, including many uncollected pieces. In April 1851 he and Sir Edward Bulwer Lytton founded the Guild of Literature and Art, a scheme to help writers and artists. He also suffered a number of personal blows: the deaths of his father, his baby daughter Dora, and two of his close friends, Richard Watson and Alfred D'Orsay; there was also anxiety over the illness of his wife Catherine.
This final volume presents 1,151 letters, many previously unpublished or published only in part, for the years 1868 to Dickens's death from a stroke on 9 June 1870; also included is an Addenda of 235 letters belonging to earlier volumes, discovered since the publication of the first such collection in Volume 7, and a Cumulative Index of Correspondents for the entire edition. The volume begins with the final four months of Dickens's American tour of 75 readings, which had been conspicuously successful throughout, despite the appalling weather and his sufferings from "American" catarrh. The tour culminated on 18 April 1868 when the American Press held a dinner in his honour in New York. In July he rented Windsor Lodge, Peckham for Ellen Ternan, where she remained until after his death; he was to give two more English reading tours before his collapse at Preston on 22 April 1869. In early January 1869 he was elected President of the Birmingham and Midland Institute; and a dinner in his honour was given in St George's Hall, Liverpool. Between January and March 1870 he gave a series of Farewell readings in London, and on 31 March Edwin Drood, No. 1 was published, illustrated by Luke Fildes; it continued monthly until 31 August. Of the friends who died during this period, much the closest were the painter Daniel Maclise, to whom Dickens paid especial tribute at the Royal Academy Banquet of 30 April 1870; Mark Lemon, who died only 18 days before Dickens himself, and with whom he had a brief reconciliation after their bitter quarrel in 1858; and Chauncy Hare Townshend, who left him £2,000 to publish, as his Literary Executor, Religious Opinions of the Late Chauncy Hare Townshend, which appeared in November 1870.
The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction: Creating the Reader and Writing the Writer -- 1 Reciprocal Readers and the 1830s-40s -- 2 The Hero of His Life -- 3 First-Person-Narrators and Editorial 'Conducting': Limited Intimacy and the Shared Imaginary -- 4 Decoding the Text -- 5 Afterlives -- Bibliography -- Index
This volume places Dickens at the centre of a dynamic and expanding Victorian print world and tells the story of his career against a background of options available to him. The collection describes a world animated by outpourings of print materials: books, serials, newspapers, periodicals, libraries, paintings and prints, parodies and plagiarisms, censorship, advertising, as well as theatre and other entertainment, and celebrity. It also shows this period as driven by a growing and more literate population, and undergirded by a general conviction that writing was a crucial component of governance and civic culture. The extensive introduction and selected articles anchor Dickens's attempts to establish better conditions for writers regarding copyright protection, pay, status, recognition, and effectiveness in altering public policy. They speak about Dickens's life as playwright, journalist, novelist, editor, magazine publisher, theatrical producer, actor, lecturer, reader of his own works, supporter of charities for impoverished authors and fallen women, exponent of a morality of Christian compassion and domestic affections sometimes put into question by his own actions, proponent and critic of British nationalism, and champion of education for all. This selection of essays and articles from previously published accounts by internationally renowned scholars is of interest to all students and professionals who are fascinated by the composition, manufacture, finance, formats, pictorializations, sales, advertising and influence of Dickens's writing.
The intriguing history of Dickens's London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years "Jackson paints a vivid and detailed picture of the city as it was. . . . Dickens, who was no stranger to the instructive and comedic joys of pedantry, would surely have approved."--Ann Alicia Garza, Times Literary Supplement Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations--dubbed "Dickensland"--that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined. Lee Jackson traces the fascinating history of Dickensian tourism, exploring both real Victorian London and a fictional city shaped by fandom, tourism, and heritage entrepreneurs. Beginning with the late nineteenth century, Jackson investigates key sites of literary pilgrimage and their relationship with Dickens and his work, revealing hidden, reinvented, and even faked locations. From vanishing coaching inns to submerged riverside stairs, hidden burial grounds to apocryphal shops, Dickensland charts the curious history of an imaginary world.
Charles Dickens, a man so representative of his age as to have become considered synonymous with it, demands to be read in context. This book illuminates the worlds - social, political, economic and artistic - in which Dickens worked. Dickens's professional life encompassed work as a novelist, journalist, editor, public reader and passionate advocate of social reform. This volume offers a detailed treatment of Dickens in each of these roles, exploring the central features of Dickens's age, work and legacy, and uncovering sometimes surprising faces of the man and of the range of Dickens industries. Through 45 digestible short chapters written by a leading expert on each topic, a rounded picture emerges of Dickens's engagement with his time, the influence of his works and the ways he has been read, adapted and re-imagined from the nineteenth century to the present.