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Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca. Included is Aldous Huxley's essay "The Best Picture, " which inspired Pope-Hennessy to seek out these paintings and frescoes. 56 photos.
After four centuries of almost complete neglect, Piero della Francesca is now one of the best known and best loved of all Renaissance painters - to such an extent that the route from one work to another has become the tourists' Piero della Francesca Trail. Sir John Pope-Hennessy takes a fresh look at the facts of Piero's career and the significance of his paintings. A clear chronology establishes the probable sequence of his activities in Arezzo, Borgo San Sepolcro, Monterchi and Urbino.
Cusk escapes dreary England for Tuscany, to relish the landscape, the weather, the food and , most of all, the art.
In the tradition of The Swerve and Galileo's Daughter, Piero's Light reveals how art, religion and science came together at the dawn of the modern world in the paintings of one remarkable artist. An innovative painter in the early generation of Renaissance artists, Piero dell Francesca was also an expert on religious topics and a mathematician who wanted to use perspective and geometry to make painting a “true science.” Although only sixteen of Piero’s works survive, few art historians doubt his importance in the Renaissance. A 1992 conference of international experts meeting at the National Gallery of Art deemed Piero, “One of the most highly regarded painters of the early Renaissance, and one of the most respected artists of all time.” In recent years, the quest for Piero has continued among intrepid scholars, and Piero's Light uncovers the life of this remarkable artistic revolutionary and enduring legacy of the Italian Renaissance.
Prominent Renaissance scholars reveal new insights into Piero’s life and work based on a study of his exquisite small panel paintings.
As one of the most innovative and enlightened painters of the early Italian Renaissance, Piero della Francesca brought space, luminosity, and unparalleled subtlety to painting. In addition, Piero invented the role of the modern artist by becoming a traveler, a courtier, a geometrician, a patron, and much else besides. In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age. Successfully demystifying the persistent notion of Piero’s art as enigmatic, she reveals the simple and stunning intentions behind his work.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
This guidebook describes the Way of St Francis a 550km month-long pilgrimage trail from Florence through Assisi to Rome. Split into 28 day stages, the walk begins in Florence and finishes in the Vatican City. Stages range from 8km to 30km with plenty to see, including ancient ruins, picturesque towns, national treasures, and stunning churches. This comprehensive guidebook fits in a jacket pocket or rucksack, and contains information on everything from accommodation and transport in Italy, to securing your credential (pilgrim identity card), budgeting, what to take, and where to do laundry. Stories of Francis of Assisi's life are also included. Although the route includes climbs and descents of up to 1200m, no special equipment is required - although your hiking boots and socks definitely need to get along. Following the steps of heroes, conquerors and saints on this pilgrim trail is manageable all year round, but is best done from April to June and mid-August to October. Route maps are given for every stage, and basic Italian phrases are included in the guidebook.